They left me, by the side of the road, with a plastic bag and all kinds of bitterness Well, in my mind, and I can say this forever I suppose, and people might laugh at it, but I don't think I ever really left The Libertines, nor can I ever leave The Libertines, you know, having been a founder of the band with Carl, but that sounds silly, doesn't it, seeing as they played all the festivals without me and made it difficult, no - impossible, for me to play live with them.

I knew I was destined for London, so I came to live with my nan in her council flat. It was the summer after my A-levels. Got a job in Willesden cemetery. I was getting a man’s wage, filling in graves. Stood around while they did the last rites. Cut the grass. A lot of the time I’d just sit on the gravestones and read and write. Scribbling away.

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It's one and the same, one and the same What's the use between death and glory? Hard to choose between death and glory Happy endings they never bored me Happy endings, they still don't bore me They have a way, a way to make you pay And to make you toe the line Now I'm severing the ties because I'm so clever but clever ain't wise

I mean you look in the paper and you see the bodies of mutilated people, and that's controversy. Controversy isn't saying something like 'Oh I've fucked Noel Gallagher' or something. Which I have.

If I want drugs, I don't have to do a gig to get them. I do a gig when I feel shit, because I need to be playing. There's no drug in the world that can compare with playing music

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I got bitten last night actually. Just some bloke bit me. I wasn't doing anything and he just bit me. I was in a public telephone box in the centre of London and some fella came up and started biting me. Nah, I didn't bite him back. I hit him with a telephone, right on the hooter and it exploded like a ripe tomato

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She said, "I'll show you a picture, A picture of tomorrow, There's nothing changing, it's all sorrow." "Oh, no, please don't show me I'm a swine, you don't wanna know me!"

Has there ever been a musician of cultural significance who's been aware they're significant? Maybe it's a generation whose parents came from a working class environment and because they were rootless in a way, like me and him, they latched onto that as an identity. Maybe we romanticise what our parents wanted to escape from. We're, like, fantasising out a living.

Basically, too many other people made important decisions for us and we just wrote songs and worried about clothes and girls. In the early days he came round once with this girl who had convinced him that I was just a weirdo and that we had an unhealthy relationship. He sat me down and said, “Maybe we shouldn’t see so much of each other? Maybe we should knock the band on the head? It’s not really going anywhere, is it?" I was desperate for us to stick together and see it through because I never stopped believing. When we got signed, Carl was shocked. I had prepared myself and had been reading the NME since I was 16. Carl wasn’t like that.

Well, I'll tell you a story but you won't listen It's about a nightmare steeped in tradition It's the story of a coked-up pansy Who spends his nights in flights of fancy Met two fellas over gin and mixers They talked for a while, he soon got the picture One was a souped up Soho mincer And the other was a pikey with a knowledge of scripture

With drugs, I think the sort of person that would die from an overdose is gonna die soon enough anyway, because they’ve got that will to destroy what’s left of their life.