The rhythm in Hong Kong was much quicker, and there was a whole organization that took care of me. When my films were shown there, I became famous overnight. A lot of producers [reached out] to me and I didn’t know what to choose, what kind of offer to accept. In some cases, I simply wasn’t allowed to say no.

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I never complained about the hardships. I just thought this was what I was supposed to do. I did that for 22 years. By the time I was doing Asia the Invincible, I felt like I didn’t have the energy to keep acting even though my heart wanted to. That’s when I thought about retirement. Swordsman II was a huge hit, and I told Nansun Shi that maybe it’s about time I retire.

While doing all this, I myself also developed my own personality and my way of acting, and the audience followed my growth. So when I played female characters who had strong personalities, I already had gone through some abundant, enriching real life experiences. By nature, I am a bit shy as a person, and so I was quite suited to making romantic films. I had many strong emotions in my heart, and I always wanted the audience to have a good impression of me, though I had many inner, suppressed feelings.

Writing is tiring and difficult, but I can sit at my desk for hours and hours, writing through the night to dawn. I never had any prior writing experience, but I learned that it’s not about using heavy vocabulary, and more about how I can express my sincerity.

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That first experience of making movies was like being in heaven. I was so happy. Everyone treated me so well. I was so curious about acting; I love watching movies, so I really enjoyed it. Once, I was rehearsing on the set, and I felt so sad that people were leaving at the end of the day, but then I was relieved that we could keep doing this on the next day.