British writer, lay theologian, and scholar (1898–1963)
Clive Staples Lewis (29 November 1898 – 22 November 1963) was an Irish author, scholar of medieval literature, and Christian apologist. He is best known for his essays on Christianity and for the children's fantasy series The Chronicles of Narnia.
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"Logic!" said the Professor half to himself. "Why don't they teach logic at these schools? There are only three possibilities. Either your sister is telling lies, or she is mad, or she is
telling the truth. You know she doesn't tell lies and it is obvious that she is not mad. For the moment then and unless any further evidence turns up, we must assume that she is telling the truth."
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"I think you've seen Aslan," said Edmund.
"Aslan!" said Eustace. "I've heard that name mentioned several times since we joined the Dawn Treader. And I felt - I don't know what - I hated it. But I was hating everything then. And by the way, I'd like to apologise. I'm afraid I've been pretty beastly."
"That's all right," said Edmund. "Between ourselves, you haven't been as bad as I was on my first trip to Narnia. You were only an ass, but I was a traitor."
"Well, don't tell me about it, then," said Eustace. "But who is Aslan? Do you know him?"
"Well - he knows me," said Edmund. "He is the great Lion, the son of the Emperor-beyond-the-Sea, who saved me and saved Narnia. We've all seen him. Lucy sees him most often. And it may be Aslan's country we are sailing to."
...wickedness, when you examine it, turns out to be the pursuit of some good in the wrong way. You can be good for the mere sake of goodness: you cannot be bad for the mere sake of badness. You can do a kind action when you are not feeling kind and when it gives you no pleasure, simply because kindness is right; but no one ever did a cruel action simply because cruelty is wrong — only because cruelty was pleasant or useful to him. in other words badness cannot succeed even in being bad in the same way in which goodness is good. Goodness is, so to speak, itself: badness is only spoiled goodness.
The way for a person to develop a [writing] style is (a) to know exactly what he wants to say, and (b) to be sure he is saying exactly that. The reader, we must remember, does not start by knowing what we mean. If our words are ambiguous, our meaning will escape him. I sometimes think that writing is like driving sheep down a road. If there is any gate open to the left or the right the readers will most certainly go into it.
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