Australian writer (1916-1999)
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The longer he practised his craft, the more conscious he became of the dynamic of language, of speech and writing as events in themselves. The simplest and most obvious proposition, stated in the most elementary language, could so mutate itself in the mind of the reader that it could express the opposite of what the writer had intended. What he wrote as evidence for the defence could hang the man he was defending.
Once you accept the existence of God — however you define him, however you explain your relationship to him — then you are caught forever with his presence in the center of all things. You are also caught with the fact that man is a creature who walks in two worlds and traces upon the walls of his cave the wonders and the nightmare experiences of his spiritual pilgrimage.
I know what you are thinking - you need a sign. What better one could I give than to make this little one whole and new? I could do it, but I will not. I am the Lord and not a conjurer. I gave this mite a gift I denied to all of you - eternal innocence.
To you, he looks imperfect but to me he is flawless like the bud that dies unopened or the fledgling that falls from the nest
to be devoured by the ants. He will never offend me, as all of you have done. He will never pervert or destroy the work of my Father's hands. He is necessary to you. He will evoke the kindness that will keep you human. His infirmity will prompt you to gratitude for your own good fortune. More! He will remind you every day that I am who I am, that my ways are not yours, and that the smallest dust mite, while in darkest space, does not fall out of my hand. I have chosen you. You have not chosen me. This little one is my sign to you. Treasure him!
They're a migratory tribe, so you find them everywhere […] They're hardy, longevitous, resistant to infection by disease or new ideas, little modified by regional influences. The accent drifts a bit, maybe. The dialect adapts itself to the local patois: but that's a chameleon's trick: protective colouring, no more. The rest of it, the sinuous mind, the easy passion, the leery eye, the ready smile, the fine, swaggering, billycock-and-shillelagh walk, the flexible moralities, the bel canto oratory, the black bilious angers, these never change.
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