So the White House wants to eat the Washington Post, so what? It will be wearing on you, but the end is in sight. It’s building and they see it and they know that they can’t stop the real story from coming out. That’s why they’re so desperate. Just be careful, yourselves and the paper, and wait them out, don’t jump too fast. Be careful and don’t be too anxious.

That was the difference between him and Woodward. Woodward went into a garage to find a source who could tell him what Nixon’s men were up to. Bernstein walked in to find an eight-pound chain cut neatly in two and his bike gone.

The managing editor shared Bernstein's fondness for doping things out on the basis of sketchy information. At the same time, he was cautious about what eventually went into print. On more than one occasion, he told Bernstein and Woodward to consider delaying a story or, if necessary, to pull it at the last minute if they had any doubts. 'I don't care if it's a word, a phrase, a sentence, a paragraph, a whole story or an entire series of stories,' he said. 'When in doubt, leave it out.' — Carl Bernstein, Bob Woodward

Share Your Favorite Quotes

Know a quote that's missing? Help grow our collection.

Because the floor numbers were listed next to the names and phone extensions of committee personnel, it was possible to calculate roughly who worked in proximity to whom. And by transposing telephone extensions from the roster and listing them in sequence, it was even possible to determine who worked for whom.

Works in ChatGPT, Claude, or Any AI

Add semantic quote search to your AI assistant via MCP. One command setup.

You’d better bring me up to date because . . .” He turned to order lunch in perfect French, and then turned back to Woodward. “. . . our cocks are on the chopping block now and I just want to know a little more about this.

Rosenfeld runs the metropolitan staff, the Post's largest, like a football coach. He prods his players, letting them know that he has promised the front office results, pleading, yelling, cajoling, pacing, working his facial expressions for instant effects - anger, satisfaction, concern. — Carl Bernstein, Bob Woodward

Deep Throat stamped his foot. “A conspiracy like this . . . a conspiracy investigation . . . the rope has to tighten slowly around everyone’s neck. You build convincingly from the outer edges in, you get ten times the evidence you need against the Hunts and Liddys. They feel hopelessly finished — they may not talk right away, but the grip is on them. Then you move up and do the same thing at the next level. If you shoot too high and miss, then everybody feels more secure. Lawyers work this way. I’m sure smart reporters must, too.

During discussions in his office, Bradlee frequently picked up an undersize sponge-rubber basketball from the table and tossed it toward a hoop attached by suction cups to the picture window. The gesture was indicative both of the editor's short attention span and of a studied informality. There was an alluring combination of aristocrat and commoner about Bradlee: Boston Brahmin, Harvard, the World War II Navy, press attaché at the U.S. Embassy in Paris, police-beat reporter, news-magazine political reporter and Washington bureau chief of Newsweek. — Carl Bernstein, Bob Woodward

Deep Throat seemed impressed by the groundwork they had done. Suddenly he walked to the front of one of the cars in the garage and, standing erect, placed his gloved hands authoritatively on the hood as if it were a rostrum. “From this podium, I’m prepared to denounce such questions about gentle Colson and noble Mitchell as innuendo, character assassination, hearsay and shoddy journalism. The questions themselves are fabrication and fiction and a pack of absurdities and cometh from the fountain of misinformation.” Woodward, who was very tired, started laughing and couldn’t stop. Deep Throat “Ziegler” continued the denunciation: “. . . that small Georgetown coterie of self-appointed guardians of public mistrust who seek the destruction of the people’s will —

BERNSTEIN: “I’ll read you the first few paragraphs.” (He got as far as the third. Mitchell responded, “JEEEEEEEEESUS” every few words.) MITCHELL: “All that crap, you’re putting it in the paper? It’s all been denied. Katie Graham’s gonna get her tit caught in a big fat wringer if that’s published. Good Christ! That’s the most sickening thing I ever heard.” BERNSTEIN: “Sir, I’d like to ask you a few questions about — ” MITCHELL: “What time is it?” BERNSTEIN: “Eleven thirty. I’m sorry to call so late.” MITCHELL: “Eleven thirty. Eleven thirty when?” BERNSTEIN: “Eleven thirty at night.” MITCHELL: “Oh.” BERNSTEIN: “The committee has issued a statement about the story, but I’d like to ask you a few questions about the specifics of what the story contains.” MITCHELL: “Did the committee tell you to go ahead and publish that story? You fellows got a great ballgame going. As soon as you’re through paying Ed Williams* and the rest of those fellows, we’re going to do a story on all of you.

It was 9:30 P.M., just an hour from deadline for the second edition. Woodward began typing:

A $25,000 cashier's check, apparently earmarked for the campaign chest of President Nixon, was deposited in April in the bank account of Bernard L. Barker, one of the five men arrested at the break-in and alleged bugging attempt at Democratic National Committee headquarters here June 17.

The last page of copy was passed to Sussman just at the deadline. Sussman set his pen and pipe down on his desk and turned to Woodward. 'We've never had a story like this,' he said. 'Just never.' — Carl Bernstein, Bob Woodward