American romance novelist
Casey McQuiston (born January 21, 1991) is an American author of romance novels in the new adult fiction genre, best known for their New York Times best-selling debut novel Red, White & Royal Blue, in which the son of America's first female president falls in love with a prince of England, and sophomore book One Last Stop.
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"Just so we're clear," Alex says, "I'm about to have sex with you in this storage closet to spite your family. Like, that's what's happening?" Henry, who has apparently been carrying his travel-size lube with him this entire time in his jacket, says, "Right," and tosses it over his shoulder. "Awesome, fuckin' love doing things out of spite," he says without a hint of sarcasm, and he kicks Henry's feet apart. And it should be- it should be funny. It should be hot, stupid, ridiculous, obscene, another wild sexual adventure to add to the list. And it is, but... it shouldn't also feel like last time, like Alex might die if it ever stops. There's a laugh in his mouth, but it won't get past his tongue, because he knows this is him helping Henry get through something. Rebellion.
You're brave. I could use some of that.
Alex rolls his eyes and sends back, the harrowing struggle of managing the empire's blood money. Henry's response comes a minute later. That was actually the crux of the meeting- I've tried to refuse my share of the crown's money. Dad left us each with more than enough, and I'd rather cover my expenses with that than the spoils of, you know, centuries of genocide. Philip thinks I'm being ridiculous.
Alex scans the message twice to make sure he's read it correctly. i am low-key impressed. He stares at the screen, at his own message, for a few seconds too long, suddenly afraid it was a stupid thing to say. He shakes his head and puts the phone down. Locks it. Changes his mind, picks it up again. Unlocks it. Sees the little typing bubble on Henry's side of the conversation. Puts the phone down. Looks away. Looks back.
One does not foster a lifelong love of Star Wars without knowing an "empire" isn't a good thing.
He would really appreciate it if Henry would stop proving him wrong.
"It's public knowledge. It's not my problem you just found out," his mother is saying, pacing double-time down a West Wing corridor. "You mean to tell me," Alex half shouts, jogging to keep up, "every Thanksgiving, those stupid turkeys have been staying in a luxury suite at the Willard on the taxpayers' dime?"
"Yes, Alex, they do-"
"Gross government waste!"
"-and there are two forty-pound turkeys named Cornbread and Stuffing in a motorcade on Pennsylvania Avenue right now. There is no time to reallocate the turkeys."
Without missing a beat, he blurts out, "Bring them to the house."
"Where? Are you hiding a turkey habitat up your ass, son? Where, in our historically protected house, am I going to put a couple of turkeys until I pardon them tomorrow?"
"Put them in my room. I don't care."
She outright laughs. "No."
"How is it different from a hotel room? Put the turkeys in my room, Mom."
"I'm not putting turkeys in your room."
"Put the turkeys in my room."
"No."
"Put them in my room, put them in my room, put them in my room, put them in my room-"
That night, as Alex stares into the cold, pitiless eyes of a prehistoric beast of prey, he has a few regrets.
There are no fireworks out here, no music, no confetti. Just sleeping, single-family homes, TVs switched off. Just a house where Alex grew up, where he saw Henry's picture in a magazine and felt a flicker of something, a start. "Hey," Alex says. Henry turns back to him, his eyes silver in the wash of the streetlight. "We won." Henry takes his hand, one corner of his mouth tugging gently upward. "Yeah. We won." Alex reaches down into the front of his dress shirt and finds the chain with his fingers, pulls it out carefully. The ring, the key. Under winter clouds, victorious, he unlocks the door.
Even before Alex's parents split, they both had a habit of calling him by the other's last name when he exhibited particular traits. They still do. When he runs his mouth off to the press, his mom calls him into her office and says, "Get your shit together, Diaz." When his hard-headedness gets him stuck, his dad texts him, "Let it go, Claremont."
You listen to me," she says. Her jaw is set, ironclad. It's the game face he's seen her use to stare down Congress, to cow autocrats. Her grip on his hand is steady and strong. He wonders, half-hysterically, if this is how it felt to charge into war under Washington. "I am your mother. I was your mother before I was ever the president, and I'll be your mother long after, to the day they put me in the ground and beyond this earth. You are my child. So, if you're serious about this, I'll back your play."
Alex is silent. But the debates, he thinks. But the general. Her gaze is hard. He knows better than to say either of those things. She'll handle it. "So," she says, "Do you feel forever about him?" And there's no room left to agonize over it, nothing left to do but say the thing he's known all along. "Yeah," he says, "I do." Ellen Claremont exhales slowly, and she grins a small, secret grin, the crooked, flattering one she never uses in public, the one he knows best from when he was a kid around her knees in a small kitchen in Travis County. "Then, fuck it.
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So, as I've warned you," Henry says as they approach the doors to the Royal Box, "Philip will be there. And assorted other nobility with whom you may have to make conversation. People named Basil." "I think I've proven that I can handle royals." Henry looks doubtful. "You're brave. I could use some of that.
Get some shoes, we're running," Zahra tells him. "Priority one is damage control, not feelings. He grabs a pair of sneakers, and they take off while he's still pulling them on, running west. His brain is struggling to keep up, running through about five thousand possible ways this could go, imagining himself ten years down the road being frozen out of Congress, plummeting approval ratings, Henry's name being scratched off the line of succession, his mother losing reelection on a swing state's disapproval of him. He's so screwed, and he can't even decide who to be the angriest with, himself or the Mail or the monarchy or the whole stupid country. He nearly crashes into Zahra's back as she skids to a stop in front of a door. He pushes the door open, and the whole room goes silent. His mother stares at him from the head of the table and says flatly, "Out." At first he thinks she's talking to him, but she cuts her eyes down to the people around the table with her. "Was I not clear? Everyone, out, now," she says. "I need to talk to my son.
All in all, finals come and go with much less fanfare than Alex imagined. It's a week of cramming and presentations and the usual amount of all-nighters, and it's over. The whole college thing in general went by like that. He didn't really have the experiences everyone else has, always isolated by fame or harangued by security. He never got a stamp on his forehead on his twenty-first birthday at the Tombs, never jumped in Dahlgren Fountain. Sometimes it's like he barely went to Georgetown, merely powered through a series of lectures that happened to be in the same geographical area.
Alex wouldn't say he likes Henry, but he does enjoy the quick rhythm of arguments they fall into. He knows he talks too much, hopeless at moderating his feelings, which he usually hides under ten layers of charm, but he ultimately doesn't care what Henry thinks of him, so he doesn't bother. Instead, he's as weird and manic as he wants to be, and Henry jabs back in sharp flashes of startling wit.
Chloe Green is going to put her first through a window. Usually when she has a thought like that, it means she's spiritually on the brink. But right now, squared up to the back door of the Wheeler house, she's actually physically ready to do it. Her phone flashes the time: 11:27 a.m. Thirty-three minutes until the end of the late service at Willowgrove Christian Church, where the Wheelers are spending their morning pretending to be nice, normal folks whose nice, normal daughter didn't stage a disappearing act at prom twelve hours ago.
It has to be an act, is the thing. Obviously, Shara Wheeler is fine. Shara Wheeler is not missing. Shara Wheeler is doing what she does: a doe-eyed performance of blank innocence that makes everyone think she must be so deep and complex and enchanting when really, she's the most boring bore in this entire unbearably boring town.
Chloe is going to prove it. Because she's the only one smart enough to see it.
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"That's not your emails-from-Zahra face," Nora says, nosing her way over his shoulder. He elbows her away. "You keep doing that stupid smile every time you look at your phone. Who are you texting?" "I don't know what you're talking about, and literally no one," Alex tells her. From the screen in his hand, Henry's message reads, In world's most boring meeting with Philip. Don't let the papers print lies about me after I've garroted myself with my tie.