Claude Monet Quotes

is particularly remarkable and there is enough here to paint for a life-time.

[Chopping wood] is harder than you think, and I'll bet that you would not split much wood.. .All the same, I have probably not reached the end of my troubles. Here is winter at hand, a season not very pleasant for the wretched. Then comes the Salon. Alas! I still won't be in it, for I shall have done nothing. I have a dream a picture of the bathing spot at the Grenouillere, for which I've made a few poor sketches, but it is a dream. Renoir, who has just spent two months here, also wants to do this painting.

I'm very happy, very delighted.. ..for I am surrounded here by all that I love. I spent my time out of doors.. ..and naturally I'm working all the time, and I think this year I'm going to do some serious things. And then in the evening, dear fellow, I come home to my little cottage to find a good fire and a dear little family.. .Dear friend, it's a delight to watch this person [his first son Jean, born in 1867] grow, and I am glad to have him to be sure...

In Paris one is too preoccupied by what one sees and what one hears, however strong one is; what I am doing here has, I think, the merit of not resembling anyone, because it is simply the expression of what I myself have experienced.

One is too taken up with all that one sees and hears in Paris, however strong one is, and what I do here will at least have the merit of being unlike anyone else, at least I believe so, because it will simply be the expression of what I, and only I have felt. The further I get, the more I regret how little I know, that's what hinders me the most.. .I don't think I will spend much time in Paris now, a month at the very most, each year.

There at the moment in .. .Boudin and Jongkind are here; we get on marvelously. There's lots to be learned and nature begins to grow beautiful.. .I shall tell you I'm sending a flower picture to the exhibition at Rouen; there are very beautiful flowers at present.

It seems to me, when I see nature, that I see it ready made, completely written — but then, try to do it! All this proves that one must think of nothing but them [impressions]; it is by dint of observation and reflection that one makes discoveries.

My dear Frédéric Bazille, I ask myself what you can be doing in Paris during fine weather, for I suppose that it must also be very fine there. Here my dear fellow, it is is charming, and I discover every day always beautiful things. It is enough to become mad [fou], so much do I have the desire to do it all, my head is cracking. Damn it, here it is the sixteenth, put aside your cliques and your claques, and come spend a couple of weeks here, it would be the best thing that you could do, because in Paris it cannot be very easy to work. This very day, I still have a month to stay in ; furthermore my sketches are becoming finished, I have even set to work additionally [remis] on some others. In sum, I am content enough with my stay here, even though my studies are very far from what I would wish. It is decidedly frightfully difficult to make something complete in all respects, and I think that there are scarcely any but those who content themselves with the approximate. Very well, my dear fellow, I want to struggle, scrape, start over again [recommencer], because one can do what one sees and understands, and it seems to me, when I see nature, that I am going to do it all, write it all out, but them go try to do it.. ..when one is on the job..
All this proves that one must only think about this. It is by force of observation and reflection that one finds. So let us grind away and grind away constantly. Are you making any progress? Yes, I am sure of it, but what I am sure of is that you do not work enough and not in the right way. It is not with carefree guys like your Villa and others that you will be able to work. It would be better all alone, and yet, all alone there are plenty of things that one cannot make out. In the end all of this is terrible, and it is a rough task.
.. .It is frightening what I see in my head.

It is beautiful here [in , Normandy], my friend; every day I discover even more beautiful things. It is intoxicating me, and I want to paint it all - my head is bursting.. ..I want to fight, scratch it off, start again, because I start to see and understand. I seems to me as if I can see nature and I can catch it all.. ..it is by observation and reflection that I discover how. That is what we are working on, continuously..

By way of news, I can tell you that Couture, that bad-tempered fellow, has completely given up painting. It's no great pity; in this exhibition, he had some really bad paintings.

'..learn to draw: that's where most of you [Troyon's pupils] are falling down today.. ..draw with all your might; you can never learn too much. However, don’t neglect painting, go to the country from time to time and make studies and above all develop them..' [Monet is quoting in his letter Troyon, a friend of Boudin in Paris]

Among Troyon's paintings there are two huge ones; Return to the Farm is marvelous with its beautiful stormy sky. There is much windy motion in the clouds, and the cows and dogs are very good. In Going to the Market you see the mist at sunrise. It's superb and, most of all, very luminous. The wide space in View from Surennes is amazing. You feel you are really in the countryside.

I am surrounded by a small group of young s who will be very happy get to know you. Besides, they are real painters... I find myself very well fixed here. I am drawing figures at hard. And at the Academy, there are only landscapists. They begin to perceive that it's a good thing.