Vincent van Gogh Quotes

Be of good heart.

One must never trust the occasion when one is without difficulties.

I am unable to describe exactly what is the matter with me; now and then there are horrible fits of anxiety, apparently without cause, or otherwise a feeling of emptiness and fatigue in the head.

The way to know life is to love many things.

Do you know what I have been involuntarily thinking, that in the first period of an artist’s life, one unconsciously makes it very hard for oneself – by a feeling of not being able to master the work – by an uncertainty as to whether one will ever master it – by a great ambition to make progress, but a lack of self-confidence – one cannot banish a certain feeling of agitation, and one hurries oneself though one doesn’t like to be hurried . . .
This cannot be helped, and it is a time which one must go through, and which in my opinion cannot and should not be otherwise.

Everything on earth changes - we have no abiding city here - it is the experience of everybody. That it is God’s will that we should part with what is dearest on earth - we ourselves change in many respects, we are not what we once were, we shall not remain what we are now.

Be clearly aware of the stars and infinity on high. Then life seems almost enchanted after all.

Formerly I felt repulsion for these creatures, and it was a harrowing thought for me to reflect that so many of our profession, Troyon, Marchal, Meryon, Jundt, M. Maris, Monticelli [all painter-artists], and heaps more had ended like this.

Anyone who leads an upright life and experiences real difficulty and disappointment and yet is not crushed by them is worth more than one for whom everything has always been plain sailing and who has known nothing but relative prosperity.

It is only right and proper to be moved by the Bible, but present-day reality has so strong a hold over us that even when we try to imagine the past the minor events in our lives immediately wrench us out of our musings, and our own adventures throw us back irrevocably upon our personal feelings — joy, boredom, suffering, anger, or a smile.

..I am always between two currents of thought, first the material difficulties, turning round and round to make a living; and second, study of color. I am always in hope of making a discovery there, to express the love of two lovers by a marriage of two complementary colors, their mingling and their opposition, the mysterious vibrations of kindred tones. To express the thought of a brow by the radiance of a light tone against a sombre background. To express hope by some star, the eagerness of a soul by a sunset radiance. Certainly there is nothing in that of stereoscopic realism, but is it not some thing that actually exists?

It is hard, terribly hard, to keep on working when one does not sell, and one literally has to pay for one's colors from what would not be too much for eating, drinking and lodgings, calculated ever so strictly. And then, besides, the models.. .All the same they are building State museums, and the like, for hundreds of thousands, but meanwhile, the artists can go to the dogs.

It is color, not locally true from the point of view of the stereoscopic realist, but color to suggest any emotion of an ardent temperament. When Paul Mantz saw at the exhibition the violent and inspired sketch of Delacroix.. ..the 'Barque of Christ' - he turned away from it exclaiming: 'I did not know that one could be so terrible with a little blue and green'. Hokusai wrings the same cry from you [Theo], but he does it by his line, his drawing, when you say in your letter - 'the waves are claws and the ship is caught in them'. Well, if you make the color exact or the drawing exact, it won't give you sensations like that.

And my aim in my life is to make picture and drawings, as many and as well as I can, then, at the end of my life, I hope to pass away, looking back with love and tender regret, and thinking: "Oh, pictures I might have made!" Theo, I declare I prefer to think how arms, legs, head are attached to the trunk, rather than whether I myself am or am not more or less an artist.

If we study Japanese art, you see a man who is undoubtedly wise, philosophic and intelligent who spends his time how? In studying the distance between the earth and the moon? No. In studying the policy of Bismarck? No. He studies a single blade of grass..