Original: Je suis un grand artiste et je le sais. C'est parce que je le suis que j'ai tellement enduré de souffrances. Pour poursuivre ma voie, sinon je me considérerai comme un brigand. Ce que je suis du reste pour beaucoup de personnes. Enfin, qu'importe! Ce qui me chagrine le plus c'est moins la misère que les empêchements perpétuels à mon art que je ne puis faire comme je le sens et comme je pourais le faire sans la misère qui me lie les bras. Tu me dis que j'ai tort de rester éloigné du centre artistique. Non, j'ai raison, je sais depuis longtemps ce que je fais et pourquoi je le fais. Mon centre artistique est dans mon cerveau et pas ailleurs et je suis fort parce que je ne suis jamais dérouté par les autres et je fais ce qui est en moi.
French painter and printmaker (1848–1903)
Paul Gauguin (7 June 1848 – 8 May 1903) was a French Post-Impressionist painter; From 1895 he lived and painted in Papeete on Tahiti.
From: Wikiquote (CC BY-SA 4.0)
Pen Names:
Gauguin, Eugène Henri Paul
Alternative Names:
Eugène Henri Paul Gauguin
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Eugene Henri Paul Gauguin
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Paul Gaugin
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Eugene-Henri Gauguin
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Kao-keng
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Pablo Gauguin
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Eugène-Henri-Paul Gauguin
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Gauguin
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Polʹ Gogen
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Paul Eugène Henri Gauguin
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Eugène Henry Paul Gauguin
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Eugene-Henri-Paul Gauguin
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Paul Eugene Henri Gauguin
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Eugene Henry Paul Gauguin
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p. gauguin
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gauguin paul
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P. gaugin
From Wikidata (CC0)
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[In] painting...all sensations are condensed, everyone...with a single glance [has] his soul invaded by the most profound recollections...everything is summed up in one instant. Like music, it acts on the soul through the intermediary of the senses: harmonious colors correspond to the harmonies of sound.
I borrow some subject or other from life or from nature, and, using it as a pretext, I arrange lines and colors so as to obtain symphonies, harmonies that do not represent a thing that is real, in the vulgar sense of the word, and do not directly express any idea, but are supposed to make you think the way music is supposed to make you think, unaided by ideas or images, simply through the mysterious affinities that exist between our brains and such arrangements of colors and lines.
Thanks to our cinctures and corsets we have succeeded in making an artificial being out of woman. She is an anomaly, and Nature herself, obedient to the laws of heredity, aids us in complicating and enervating her. We carefully keep her in a state of nervous weakness and muscular inferiority, and in guarding her from fatigue, we take away from her possibilities of development. Thus modeled on a bizarre ideal of slenderness to which, strangely enough, we continue to adhere, our women have nothing in common with us, and this, perhaps, may not be without grave moral and social disadvantages.