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Thanks to our cinctures and corsets we have succeeded in making an artificial being out of woman. She is an anomaly, and Nature herself, obedient to the laws of heredity, aids us in complicating and enervating her. We carefully keep her in a state of nervous weakness and muscular inferiority, and in guarding her from fatigue, we take away from her possibilities of development. Thus modeled on a bizarre ideal of slenderness to which, strangely enough, we continue to adhere, our women have nothing in common with us, and this, perhaps, may not be without grave moral and social disadvantages.

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In my yellow room,
Sunflowers with purple eyes stands out on a yellow background.
They bath their stems in a yellow pot, on a yellow table.
In a corner of the painting, the signature of the painter: Vincent.
And the yellow sun that passes through the yellow curtains of my room floods all this fluorescence with gold.
And in the morning upon awakening, from my bed,
I imagin that all this smells very good.
Oh yes! He loved yellow, this good Vincent, this painter from holland.
Those glimmers of sunlight rekindled his soul
That abhorred the fog, that needed the warmth.
When two of us were together in arles, both of us mad and at constant war over the beauty of color, me, i loved the color red,
Where to find a perfect vermilion?
He traced with his most yellow brush on the wall,
Suddenly turned violet.

Je suis saint esprit
Je suis sain d'espri.

Paul gauguin, 1894.