Agnes Martin Quotes

I am grateful for the [financial] assistance I received last year through the Helene Wurlitzer Foundation. It gave me the materials I needed and a certain amount of security and enabled me to make a very good try for my New York show. This did not succeed but Miss Betty Parsons whose gallery I will eventually show in assured me that in one more year she thought I could make it, which is not discouraging.. .I painted all together one hundred canvasses of which I had a good opinion and sold seven [in a year].

I used to pay attention to the clouds in the sky.. .I paid close attention for a month to see if they ever repeated. They don't repeat. And I don't think life does either. It's continually various. That's the truth about life.

It takes time, see. You finish painting the painting and then you turn it to the wall. I mean, you say, does it have it or doesn't it have it? If it doesn't have it, you throw it away, but if you think it has it, you turn it to the wall. And then when you have made some more work, then you turn them all over. And you, again, try to see exactly what it does mean and just exactly how effectively you have rendered this meaning.

You can't make a perfect painting. We can see perfection in our minds. But we can't make a perfect painting.

I am staying unsettled and trying not to talk for three years. I want to do it very much.

When I think of art, I think of beauty. Beauty is the mystery of life. It is in the mind, not in the eye. In our minds, we have an awareness of perfection that leads us on.. .The response to beauty is emotion. Sometimes very subtle emotions of which we are almost not aware, and sometimes our most powerful emotions..

When we realize that we can see life we gradually give up the things that stand in the way of our complete awareness. As we paint we move along step by step. We realize that we are guided in our work by awareness of life.

The way of an artist is an entirely different way. It is a way of surrender.

In the middle of the work of art, an artist often feels that he is failing. And he starts interfering with his inspiration. That is a mistake. The mistake. It is best to push on through. Such works frequently turn out to be the best. To fail is a very ordinary experience for an artist. To fail and fail and still go on, marks his character. Most people cannot bear to fail, even once. They think of security.

As I describe inspiration I do not want you to think I am speaking of religion.
That which takes us by surprise - moments of happiness - that is inspiration. Inspiration which is different from daily care.
Many people as adults are so startled by inspiration which is different from daily care that they think they are unique In having had it. Nothing could be further from the truth.
Inspiration is there all the time.

You can't be in an unconscious state and paint. Because whatever is in your mind, and not the subject matter, but the feelings that you have related to that subject matter, is what you're going to paint. So, the beginning is not actually painting, you know. The beginning of painting is not you put down green, and then you like pink, and you put down pink.
Painting's not about that anymore than music is about this sound and that sound.. ..And it's something that drives you to expression. And it's irresistible.

When I cover the square surface with rectangles, it lightens the weight of the square. Destroys its power.

To live truly and effectively the idea of achievement must be given up. Put unsentimental piety first, turn your back on the world, and get on with it.

Art is the concrete representation of our most subtle feelings. That's the end [of the interview].

Inspiration is pervasive but not a power.
It's a peaceful thing.
It is a consolation even to plants and animals.
Do not think that it is unique.
If it were unique no one would be able to respond to your work.