American painter (1912–2004)
Agnes Bernice Martin (22 March 1912 – 16 December 2004), born in Canada, was an American abstract painter. Although she is often considered or referred to as a minimalist artist like Robert Ryman, Agnes Martin considered herself an abstract expressionist artist.
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Alternative Names:
Agnes Bernice Martin
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I painted a painting called 'Milk River' [in 1963] Cows don't give milk if they don't have grass and water
Tremendous meaning of that is that painters can't give
anything to the observer
People get what they need from a painting
The painter need not die because of responsibility
When you have inspiration and represent inspiration
The observer makes the painting
I am simply painting concrete representation of abstract emotions such as innocent love, ordinary happiness. I do want an emotional response. And I paint about emotions, not about lines. The truth is that it's not the lines that express the emotion. It's the scale of the composition. You know, if you go into a room that has perfect scale, you feel it.. .If the painting has perfect scale, it moves you. And you have different scale to show different emotions. It's the space between the lines that counts.
The little rectangle contradicts the square. And the square is authoritative.. .The rectangle is pleasant, whereas the square is not.. ..It's too stiff, too authoritative. My paintings are made up of little rectangles, not little squares There was a scholar who dug up a Tantric drawing that was just like my grid, and it was made of rectangles, too, just exactly like mine.. .I was surprised. I didn't think anybody had made a grid quite like that.
In the middle of the work of art, an artist often feels that he is failing. And he starts interfering with his inspiration. That is a mistake. The mistake. It is best to push on through. Such works frequently turn out to be the best. To fail is a very ordinary experience for an artist. To fail and fail and still go on, marks his character. Most people cannot bear to fail, even once. They think of security.
Everything is contemplated in the mind without meditation. We make a very complicated response. Just to look at a floating branch evokes very complicated objective and nonobjective responses. The artist must slow all this down, mentally. It is this mental experience that makes the representation of beauty possible.
When a beautiful rose dies beauty does not die because it is not really in the rose. Beauty is an awareness in the mind. It is a mental and emotional response that we make. We respond to life as though it were perfect. When we go into a forest we do not see the fallen rotting trees. We are inspired by a multitude of uprising trees.. .The goal of life is happiness and to respond to life as though it were perfect is the way to happiness. It is also the way to positive art work.