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I met Beckett at my brother’s [ w:Geert van Velde, also an abstract painter] place. That was a Big meeting [circa 1938, in Paris], in capital letters. It was before war started, life was still normal. That time I was very lonely. We saw each other often. Before the war he had published already something, but his fame came in 1953. We never spoke about his work. He was a taciturn man. Sometimes a word escaped from his mouth. Sure, a word you would never forget. It would stick in your head... This friendship with Beckett is the most important experience in my life. He was fully alive for my way of working. What he could express in words, I did with my paintings.

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If these gouaches [Bram van Velde recently made] live at all, it is because they are true, they derive from life. They are born of the unknown – and not of habit or know-how, or intention, or of some recipe.. ..there comes a time when serious work is no longer an effort. When demanding work of that kind no longer tires you.

I'm now in a big working period, which takes me up so much that hardly anything of me remains. I have never been strong in theories and this becomes worse and worse. My work should give me satisfaction, and that is about life and death.. .Several paintings full of life and beauty arose again and give me the courage and joy to proceed on the road. There are also several paintings in which I am involved for less than half, discharges in a short time, which have existence for a while, but will not reach shaping.

Art is not for the personal satisfaction of one or the other, but art wants to return all what’s in life... Art wants to give back everything what’s in our lives. The more comprehensive the artist stands in life the more powerful his work will speak, and therefore a work of art is a measure of the mental size of his creator.