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The ultimate politeness in art consists of speaking only to those who are able to uncover and measure its relationships. Anything else is symbolic, and symbolism is merely transcendental imagery.

Take a commonplace, clean it and polish it, light it so that it produces the same effect of youth and freshness and originality and spontaneity as it did originally, and you have done a poet’s job. The rest is literature.

Regarde, spectateur, remontée à bloc, de telle sorte que le ressort se déroule avec lenteur tout le long d'une vie humaine, une des plus parfaites machines construites par les dieux infernaux pour l'anéantissement mathématique d'un mortel.

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That is what's important. The life of the line. When I draw, it's like tied and untied writing. My lines can be vivid or dead. The drawing is beautiful if the line is alive. A line is in danger of dying all along.

My method of drawing is very much like jazz improvisation. I improvise with the lines and the colors. (...)
There's great joy in drawing. Writing is drawing in different apparel, and drawing is another way of writing. And when I draw, I write. Perhaps when I write, I draw.