Conrad Aiken Quotes

The young boy whistles, hurrying down the street,
The young girl hums beneath her breath.
One goes out to beauty, and does not know it.
And one goes out to death.

Two lovers move in the crowd like a link of music,
We press upon them, we hold them, and let them pass;
A chord of music strikes us and straight we tremble;
We tremble like wind-blown grass.

Then came I to the shoreless shore of silence,
Where never summer was no shade of tree,
Nor sound of water, nor sweet light of sun,
But only nothing and the shore of nothing,
Above, below, around, and in my heart

While the blue noon above us arches,
And the poplar sheds disconsolate leaves,
Tell me again why love bewitches,
And what love gives.

It is the trembling finger that traces
The eyebrow’s curve, the curve of the cheek?
The mouth that quivers, when the hand caresses,
But cannot speak?

No, not these, not in these is hidden
The secret, more than in other things:
Not only the touch of a hand can gladden
Till the blood sings.

It is the leaf that falls between us,
The bells that murmur, the shadows that move,
The autumnal sunlight that fades upon us:
These things are love.

It is the ‘No, let us sit here longer,’
The ‘Wait till tomorrow,’ the ‘Once I knew — ’
These trifles, said as I touch your finger,
And the clock strikes two.

The world is intricate, and we are nothing.
It is the complex world of grass,
A twig on the path, a look of loathing,
Feelings that pass — These are the secret! And I could hate you,
When, as I lean for another kiss,
I see in your eyes that I do not meet you,
And that love is this.

Rock meeting rock can know love better
Than eyes that stare or lips that touch.
All that we know in love is bitter,
And it is not much.

My veins are afire with music,
Her eyes have kissed me, my body is turned to light;
I shall dream to her secret heart tonight...

The moon rose, and the moon set;
And the stars rushed up and whirled and set;
And again they swarmed, after a shaft of sunlight;
And the dark blue dusk closed above him, like an ocean of regret.

A small but brilliant advance made today by someone’s awareness may for the moment reach a very small audience, but insofar as it’s valid and beautiful, it will make its way and become part of the whole world of consciousness. So in that sense it’s all working toward this huge audience, and all working toward a better man.

MUSIC I heard with you was more than music,
And bread I broke with you was more than bread.
Now that I am without you, all is desolate,
All that was once so beautiful is dead.
Your hands once touched this table and this silver,And I have seen your fingers hold this glass.
These things do not remember you, beloved:
And yet your touch upon them will not pass.
For it was in my heart you moved among them,And blessed them with your hands and with your eyes.And in my heart they will remember always:
They knew you once, O beautiful and wise!

Walk with me world, upon my right hand walk, speak to me Babel, that I may strive to assemble of all these syllables a single word before the purpose of speech is gone.

Was forty, then, too old for work like this?
Why should it be? He'd never been afraid—
His eye was sure, his hand was steady . . .
But dreams had meanings.

O sweet clean earth, from whom the green blade cometh!
When we are dead, my best belovèd and I,
Close well above us, that we may rest forever,
Sending up grass and blossoms to the sky.

Through soundless labyrinths of dream you pass,
Through many doors to the one door of all.
Soon as it's opened we shall hear a music:
Or see a skeleton fall . . .

We were all born of flesh, in a flare of pain,
We do not remember the red roots whence we rose,
But we know that we rose and walked, that after a while
We shall lie down again.

It is precisely the sort of thing I am always trying to do in my writing – to present my unhappy reader with a wide-ranged chaos – of actions and reactions, thoughts, memories and feelings – in the vain hope that at the end he will see that the whole thing represents only one moment, one feeling, one person. A raging, trumpeting jungle of associations, and then I announce at the end of it, with a gesture of despair, 'This is I!

The music ends. The screen grows dark. We hurry
To go our devious secret ways, forgetting
Those many lives . . . We loved, we laughed, we killed,
We danced in fire, we drowned in a whirl of sea-waves.
The flutes are stilled, and a thousand dreams are stilled.