American singer, songwriter and actress, frontwoman of Blondie (born 1945)
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I did in the beginning. It helped me to cultivate some kind of female persona. I took a lot of different aspects of my character from my childhood or young-womanhood and elaborated on them. The guys were also writing songs, and I felt like I had to portray what they were writing and appreciate the male point of view as well as the female point of view.
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With lyrics, I have a basic idea, and then I write little phrases that fit with the music and encapsulate a feeling. I start with a theme and then try to adjust it to the music. I like the music to come first. For the book, I would sit down and tell the story, and then go back and edit myself. It’s probably a similar process to what you do with your photography. You shoot it, and then go back to it.
I mean, I was angry and I felt victimised. I wasn’t beaten or harmed physically, it was all emotional or mental. Being raped – or fucked – by some stranger against my will at knifepoint, you know…It wasn’t a happy moment in my life, but I really, seriously, empathise with women who are beaten. That would be something that [would lead to] emotional ramifications for the rest of my life. But this doesn’t.
And I always felt that since all my life, I was always called ‘Debbie’ or ‘Harry’ – so I embodied this myself and it’s just the way it was. It probably still is!...Yeah, so I don’t know – I never really had any problems with that and I’m always surprised when people have a fear or frustration about their combination of sexualities – I think we do better recognising both within ourselves.
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