Donald O'Brien Quotes

(William Berger) was a guy who had everything. He was handsome, knew how to act. He could have gone all the way to the top. But he got mixed up with drugs. I got a couple of parts because he was busy or he was arrested. When I made that Crea film, Berger had just been arrested because somebody had left drugs in his place, on the Costa Amalfi. His wife died in prison. I didn't get along with him because he was too hippy or what they call it, and I'm square! I don't drink, I don't smoke, and that's the way it is...But I knew so many psychedelic sophisticates in the early 1950s in Paris, that I just have my problems with them.

(Luciano Rossi) was strange, albeit in a very friendly way. I remember an incident, when the two of us were going downtown, and he suddenly had to stop at the post office. He wrote out a big cheque for a society for the prevention of cruelty against animals. And the day before he had declined an offer to get a bigger suite at the hotel because he didn't like the thought of spending so much money for himself. That's a very nice twist in the story, I think.

[O'Brien's heroes are] William Butler Yeats, Michael Collins, André Malraux, Maurice Ravel, Giorgio Di Cirico, Laurence Olivier and Max Schmeling. And of course the great Douglas Baader, the war pilot who had no legs. When he was captured by the Germans, they allowed the British to parachute his steel legs. And he escaped! So, I don't care about The Merry Wives of Windsor, but talk to me about Douglas Baader!

[GIOCHI EROTICI DI UNA FAMIGLIA PERBENE] was one of these sex flicks where the cameraman always measures the distance between the camera and your crotch, which makes for a very strange working atmosphere.

[Camilla Fulci] was about 15 or so at the time. I tried to remind her of her riding along the set [of 1975's Four of the Apocalypse). She looked very strange, when I said that. A stuntman led me away and showed me that the lower half of the poor girl's body was paralyzed because of a riding accident, just like that of Christopher Reeves! She was such a lovely girl. It made me feel very bad that I had said that."

(Lucio Fulci) was a great director. Many terrible things happened to him in his life. He was rather unlucky. I have always enjoyed working with him greatly, as he was a truly original human being with a great love for cinema.

(Raimund Harmstorf) was an incredibly good-looking guy. He used to be a Decathlon athlete, I think. These people have the best physiques because they have to do everything, run, jump, throw weights.

(John Steiner) was a good actor, but we didn't get along well. I am Irish, he is British, maybe that's why...

(Camille Keaton) was very nice, but I remember, when we talked to each other, she behaved like a verginella, a little virgin, you know, always avoiding sex in conversation. She did sex movies, you say?

I remember that this production [IL SESSO DELLA STREGA] was so cheap we were thrown out of the hotel we were staying at. Believe it or not, we realized that each one of us would have to pay for himself! They sure had money trouble.

(Richard Harrison) is one of the nicest American actors I have worked with.

(Gordon Mitchell) weighed 220 pounds when he did these muscle pictures, and he went down to 160 pounds for this movie, like nothing.

On one occasion, I tried to cash in the pay check, and they wouldn't give me the money, 'cause the check was for one `Donald O'Brien'. So I had to go to the Embassy and have my passport corrected, with `Donald' in parentheses.

Sollima was considered to be the intellectual among the Western filmmakers. I enjoyed working with him. He was a very intelligent and gifted man.

Carné used to behave like a hysterical maniac. I had a small part in that film. Maurice Ronet and Annie Girardot were also in it. He was screaming like a maniac. But he was a masterful director. LES ENFANTS DU PARADIS is one of the greatest films ever made.