Austrian-American actress and co-inventor of an early technique for spread spectrum communications and frequency hopping (1914-2000)
Hedy Lamarr (9 November 1914 – 19 January 2000) was an Austrian-born American actress. Though known primarily for her great beauty on camera, she also co-invented an early form of spread spectrum communications technology, a key to modern wireless communication.
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Come Live With Me, with Jimmy Stewart, one of the sweetest men in the world. I was so happy about this picture; it was my first chance to do a charming, humorous story. Until then, my image was that of an exotic creature. My character name in that movie was Johnny Jones. In H. M. Pulham, Esq., I was tagged Marvin Myles, and in Comrade X I was christened Theodore. Why, I wondered, did they give a supposedly sexy lady such weird names? Ah, Hollywood!
More stairs, only this time it's in Samson and Delilah. Now, I'm ascending them, dragging poor, blinded Victor Mature by the handle of a whip. The set is as gigantically faint‐making as anything Mr. De Mille ever conceived, and every single extra within a 50 mile radius seems to be assembled as I slowly lead Samson to the top, where he is scheduled to pull the two enormous pillars of the temple down around his ears and everyone else's. And do you know what I am thinking as I watch this panoply on my television screen? Quite simply, it is "I can't take another step in those damn forties. high heels! … " And, again, in Samson, in the scene where I look dewy‐eyed while golden coins are poured over my feet as a reward for betraying Samson. Well, Mr. De Mille, whom I got along with beautifully, dragged me out of a sick bed for that one, and the dewy eyes are a direct result of a roaring 104‐degree fever.
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Which director did I like? I've for gotten which. Some of them were not so nice. When somebody isn't accepted by me, it's complete hate. One director never spoke to me, not even hello in the morning. Mr. Mayer never spoke to me. One day I said, "Mr. Mayer, why don't you ever say hello to me?" He said, "Why should I? You're not my wife." It was only because I wouldn't sleep with him. I didn't know anything filthy went on.
I Take This Woman, with Spencer Tracy. We were seated around a table one day, rehearsing our lines. It was my first Metro film, and little Hedy was learning English, when Spencer turned to me and said, briskly, "Get me a taxi." I obligingly arose and started to walk toward the sound‐stage door, not realizing that it was the next line in the script. He was a great actor, but there were times when he made me cry. He was not precisely my favorite person.