American rock musician and actress (born 1964)
Courtney Michelle Love (born 9 July 1964) is an American singer-songwriter, guitarist, actress, and writer. She was the frontwoman of the former alternative rock band Hole. She was the wife of Nirvana frontman Kurt Cobain, with whom she had a daughter, Frances Bean Cobain.
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[Crack] used to be called freebase when white rich people did it. Then it got sold in batches, and white rich people were still doing it, and it was still called freebase. And then all of a sudden this guy named Ricky Freeway Ross started making it and he happened to be black, and— everything is political— and, then it turned into "crack."
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With me and Kurt, it was either Bonnie and Clyde, Sid and Nancy, or mommy. That's where it got at the end, but the rest of the time it was equal. The equality was based on Bonnie and Clyde, which is fucking goddamn fun. And Romeo and Juliet. But it was also Hamlet and Hamlet. Not Hamlet and Ophelia. These two fucking Hamlets sitting around.
You know what? I was doing Loveline on KROQ, and Lydia [Lunch] sent this fax in that said like, “You’ll never be smarter than me. Stop trying to copy me." So I read it out over the air and I said, "Lydia, I’ve been copying you since I fucking heard of you. You’re the best thing on the planet. I give you more tribute than anybody else and I love you and I wish you wouldn’t be so mad at me. And, Lydia, if there’s anything I can do for you – if there’s any philosophical, tax deductible thing that I can contribute to – you know how to get in touch with me."
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Releasing those songs into the void, and not having the void answer back, led all of us to splinter off and attempt to make our mark by deconstructing. Instead of going forward with my tunesmithing, I went back to the beginning. And that’s what Pretty on the Inside was about. I said, ‘I’m not going to follow any of the songwriting values that I’ve been learning for a good seven years. Instead, I’m going to set up on my own land and make my own stake, and see where it goes.’ And the next place that takes me is Seattle, where what was happening was so heavy, and so intense.
I always said I’d never go to New York until someone pays me—because I’ve seen people come back from New York like desiccated, broken… New York is a tough place if you’re coming out of Port Authority or from Oregon, and they were paying me 356 dollars a day to be on the set [of Sid and Nancy] so that was really wonderful. Then I did Straight To Hell which went straight to video (but) then Andy Warhol noticed me from those two films. Then I got to be in Interview magazine and I got this little measure of celebrity, but with no money (laughs) that sucks… (but) it feels great if you’ve been wanting it. A lot of people like to say, ‘oh I didn’t ask for this, it just happened. I’m the luckiest guy in the world…’ I always wanted it.
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It’s been twenty years—we didn’t even talk at [Kurt's] funeral. None of us. And so, twenty years of me getting Yoko-bashed, and Dave bashing, and me bashing and making it worse, all that shit. The legal stuff, the trial. We just buried it. It was really deep. It brings tears to my eyes to even talk about it.