The Matisse seemed to respond to the decreasing light by increasing its own wattage. Every object in the room was drained of color, but the Matisse stood firm in the de-escalating illumination, its beauty turning functionality inside out, making itself a more practical and useful presence than anything else in sight.

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It's so hard to believe in anything anymore. I mean, it's like, religion, you really can't take it seriously, because it seems so mythological, it seems so arbitrary...but, on the other hand, science is just pure empiricism, and by virtue of its method, it excludes metaphysics. I guess I wouldn't believe in anything anymore if it weren't for my lucky astrology mood watch.

These word games bothered and intrigued me. Appearing to be silly nonsense, on examination they were absolutely logical — yet they were still funny. The comedy doors opened wide, and Lewis Carroll’s clever fancies from the nineteenth century expanded my notion of what comedy could be. I began closing my show by announcing, “I’m not going home tonight; I’m going to Bananaland, a place where only two things are true, only two things: One, all chairs are green; and two, no chairs are green.” Not at Lewis Carroll’s level, but the line worked for my contemporaries, and I loved implying that the one thing I believed in was a contradiction. I also was enamored of the rhythmic poetry of e. e. cummings, and a tantalizing quote from one of his recorded lectures stayed in my head. When asked why he became a poet, he said, “Like the burlesque comedian, I am abnormally fond of that precision which creates movement.” The line, with its intriguing reference to comedy, was enigmatic, and it took me ten years to work out its meaning.

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I guessed that one day the restrictions I imposed on myself would end. But first, it seemed that my range of possible activities would have to iris down to zero before I could turn myself around. Then, when I was static and immobile, I could weigh and measure every exterior force and, slowly and incrementally, once again allow the outside in. And that would be my life.

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Mirabelle attracts men of a different kind. They are shyer and more reticent. They look at her a long time before approaching, and when they do find something about her that they want, it is something simple within her.

A girl who is willing to give every ounce of herself to someone, who could never betray her lover, who never suspects maliciousness of anyone, and whose sexuality sleeps in her, waiting to be stirred.

I'm smart enough to know that Elizabeth had no doubt seen dozens of men leap over curbs without her falling in love with the leaper, but I do believe this: When an endeavor is special in a person's life, others discern it intuitively and appreciate it more, like the praise a child receives for a lumpy clay sculpture. And as ordinary as such an event might be, it can be instilled with uncommon power.

It is the perfect wrong time for Jeremy to do to Mirabelle what she had done to him - call him up for a quick fix - because;, in a sense, she is now betrothed. Her first date with someone who treated her well obligates her to faithfulness, at least until the relationship is explored.

Be courteous, kind, and forgiving. Be gentle and peaceful each day. Be warm and human and grateful, And have a good thing to say. Be thoughtful and trustful and childlike, Be witty and happy and wise. Be honest and love all your neighbors, Be obsequious, purple, and clairvoyant. Be pompous, obese, and eat cactus. Be dull and boring and omnipresent. Criticize things you don’t know about. Be oblong and have your knees removed. Be sure to stop at stop signs, And drive fifty-five miles an hour. Pick up hitchhikers foaming at the mouth, And when you get home get a master’s degree in geology. Be tasteless, rude, and offensive. Live in a swamp and be three-dimensional. Put a live chicken in your underwear. Go into a closet and suck eggs.