American comedian, actor, musician and writer (born 1945)
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Mirabelle is not sparkling tonight, because she works only in gears, and tonight she is in the wrong gear. Third gear is her scholarly, perspicacious, witty self; second gear is her happy, giddy, childish self; and first gear is her complaining, helpless, unmotivated self. Tonight she is somewhere midshift, between helpless and childish.
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"...My father muttered something to me, and I responded with a mumbled "What". He shouted, "You heard me," thundered up from his chair, pulled his belt out of its loops, and inflicted a beating that seemed never to end. I curled my arms around my body as he stood over me like a titan and delivered the blows. This was the only incident of its kind in our family. My father was never physically abusive toward my mother or sister and he was never again physically extreme with me. However, this beating and his worsening tendency to rages directed at my mother - which I heard in fright through the thin walls of our home - made me resolve, with icy determination, that only the most formal relationship would exist between my father and me, and for perhaps thirty years, neither he nor I did anything to repair the rift.
The rest of my childhood, we hardly spoke; there was little he said to me that was not critical, and there was little I said back that was not terse or mumbled. When I graduated from high school, he offered to buy me a tuxedo. I refused because I had learned from him to reject all aid and assistance; he detested extravagance and pleaded with us not to give him gifts. I felt, through a convoluted logic, that in my refusal, I was being a good son. I wish now that I had let him buy me a tuxedo, that I had let him be a dad. Having cut myself off from him, and by association the rest of the family, I was incurring psychological debts that would come due years later in the guise of romantic misconnections and a wrongheaded quest for solitude.
I have heard it said that a complicated childhood can lead to a life in the arts. I tell you this story of my father and me to let you know I am qualified to be a comedian."
Mirabelle's ambition is about one-tenth of 1 percent of what would be called normal. ... She is not aware that some people fight like alley cats for desirable situations. She presents a résumé, fills out an application, waits, and finally makes a call to see if she got the job. Usually, a confused secretary will answer and say that the position had been filled weeks ago. This aimlessness in presenting herself contributes to her feeling of being adrift.
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I guessed that one day the restrictions I imposed on myself would end. But first, it seemed that my range of possible activities would have to iris down to zero before I could turn myself around. Then, when I was static and immobile, I could weigh and measure every exterior force and, slowly and incrementally, once again allow the outside in. And that would be my life.
Other names came, but the square overflowed and the confusion pleased me. I shifted away from the window, turning my back on the apartment across the street. I moved to the living room and sat, silently thanking those who had brought me here and those had affected me, both above and below consciousness. I thought of the names in and around the magic square. I thought of their astounding number, both in the present and in the past, of Zandy and Angela, of Brian, of Granny, even of my father, whose disavowal of me led to this place, and I understood that as much as I had resisted the outside, as much as I had constricted my life, as much as I closed and narrowed the channels into me, there were still many takers for the quiet heart.