Scottish musician (born 1946)
Donovan Philips Leitch (born 10 May 1946), most commonly referred to simply as Donovan, is a Scottish singer, songwriter, and guitarist. Emerging from the British folk scene, he developed an eclectic and distinctive style that blended folk, jazz, pop, psychedelia and world music.
From: Wikiquote (CC BY-SA 4.0)
Native Name:
Donovan Philips Leitch
Alternative Names:
Donovan Phillips Leitch
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Donovan Leitch
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We are magic. It is magic that we're walking around. It's fantastic magic. Some people would call it miracles; I like to call it magic. … Yes, I'm very aware of this. Yes, the more aware I get, the more I can understand how big it is, how big it will get. It'll be harder to comprehend; that's why I have to go along with it, 'cause its so vast. To say to somebody that God is everything that lives and ever has lived and ever will live, and you're never going to touch and see, smell and be everything that is God. Magic is very hard to comprehend.
When I was 14 or 15 I wanted to be a protest singer like Pete Seeger and Woody Guthrie. My father was a socialist and worked with the unions. I thought change was to change the government and to change from one system, capitalism, to socialism and to make the poor of the world happy. But when I opened the book The Way of Zen by Alan Watts and I opened up the Diamond Sutra, and Lao Tsu’s Tao Te Ching, I realized that the problem of suffering was much deeper than governments and social problems. The problems were very deep. They were nothing short of changing the way we look at reality. Therefore I became a teacher, or a reflection of the teachings. Phil Ochs, the great protest singer, said I had given up protest, and Joan Baez said to Bob Dylan, “He’s given up protest.” But what I had given up was looking for the answer in social change. The change was to be a spiritual change. The suffering was coming from an erroneous view of reality...
Today I can’t comment on what the problem is in China, Russia, or Africa without realizing again and again the Diamond Sutra, which says that we look at the world and see it as separate but in fact, this is an illusion, but the reality is that we are one shining being. Until this can be understood, I can’t see any change. But I see some change now. There is a world consciousness. In the "old" New Age, they talked about the Age of Aquarius being an age of enlightenment. And now when a man goes to the moon he sees the earth. Before when someone did meditation he or she could meditate on the earth and the moon but now a man and a woman can see that we are on one planet and that the water is polluted and that the air is dirty. So these are changes that are important. But when we spoke about these things in the 60s people said we were dreamers.
I found myself at the top of the the ladder, with everything, but with one thing missing: that one thing was a companion. Because, it's cliché to say, but nothing really means anything in the end unless you're really doing what you want to do, and... I walked off a huge world tour, with a yacht and television specials, and record deals, and film deals. I walked away and my whole thing collapsed. I shocked my business world and walked back to my cottage, which I had been renting to two American girls. One of them was Cynthia, and I stayed with her for two days, then her friend Lori came back from Clapton's house, where there had been a party going on for almost a week. Lori came in with another friend, and it was Linda, my Sunshine Supergirl from 1965 whom I'd written all my songs for. We hadn't married then, because she had a child with Brian Jones and wasn't ready for another relationship. And it was good that we didn't marry back then, because my four years of '60's fame would have wrecked the marriage. But we met again, and I went away from fame and into the arms of my muse, my lover, and then my wife, and then the mother of my children.