American writer (1875–1950)
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I had gone thoroughly through some of the all-fiction magazines and I made up my mind that if people were paid for writing such rot as I read I could write stories just as rotten. Although I had never written a story, I knew absolutely that I could write stories just as entertaining and probably a lot more so than any I chanced to read in those magazines. I knew nothing about the technique of story writing, and now, after eighteen years of writing, I still know nothing about the technique, although with the publication of my new novel, Tarzan and the Lost Empire, there are 31 books on my list. I had never met an editor, or an author or a publisher. l had no idea of how to submit a story or what I could expect in payment. Had I known anything about it at all I would never have thought of submitting half a novel; but that is what I did. Thomas Newell Metcalf, who was then editor of The All-Story magazine, published by Munsey, wrote me that he liked the first half of a story I had sent him, and if the second half was as good he thought he might use it. Had he not given me this encouragement, I would never have finished the story, and my writing career would have been at an end, since l was not writing because of any urge to write, nor for any particular love of writing. l was writing because I had a wife and two babies, a combination which does not work well without money.
His little face was tense in study, for he had partially grasped, in a hazy, nebulous way, the rudiments of a thought which was destined to prove the key and the solution to the puzzling problem of the strange little bugs. In his hands was a primer opened at a picture of a little ape similar to himself, but covered, except for hands and face, with strange, colored fur, for such he thought the jacket and trousers to be. Beneath the picture were three little bugs — BOY.
Tarzan let him up, and in a few minutes all were back at their vocations, as though naught had occurred to mar the tranquility of their primeval forest haunts. But deep in the minds of the apes was rooted the conviction that Tarzan was a mighty fighter and a strange creature. Strange because he had had it in his power to kill his enemy, but had allowed him to live — unharmed.
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I am Tarzan of the Apes. I want you. I am yours. You are mine. We live here together always in my house. I will bring you the best of fruits, the tenderest deer, the finest meats that roam the jungle. I will hunt for you. I am the greatest of the jungle fighters. I will fight for you. I am the mightiest of the jungle fighters. You are Jane Porter, I saw it in your letter. When you see this you will know that it is for you and that Tarzan of the Apes loves you.
I was sure that Lys was dead. I wanted myself to die, and yet I clung to life—useless and hopeless and harrowing a thing as it had become. I clung to life because some ancient, reptilian forbear had clung to life and transmitted to me through the ages the most powerful motive that guided his minute brain—the motive of self-preservation.
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Tarzan of the Apes, young and savage beast of the jungle, wondered at the cruel brutality of his own kind. Sheeta, the leopard, alone of all the jungle folk, tortured his prey. The ethics of all the others meted a quick and merciful death to their victims.
Tarzan had learned from his books but scattered fragments of the ways of human beings.