Edith Sitwell

The living blind and seeing Dead together lie
As if in love . . . There was no more hating then,
And no more love; Gone is the heart of Man.

Let us speak of our madness. We are always being called mad. If we are mad — we and our brothers in America who are walking hand in hand with us in the vanguard of progress — at least we are mad in company with most of our great predecessors and all the most intelligent foreigners. Beethoven, Schumann, and Wagner, Shelley, Blake, Keats, Coleridge, Wordsworth were all mad in turn. We shall be proud to join them in the Asylum to which they are now consigned.

Eccentricity is not, as some would believe, a form of madness. It is often a kind of innocent pride, and the man of genius and the aristocrat are frequently regarded as eccentrics because genius and aristocrat are entirely unafraid of and uninfluenced by the opinions and vagaries of the crowd.

"Said the lion to the lioness - "when you are amber dust -
No more a raging fire like the heat of the sun
(no liking but all lust) -
Remember still the flowering of the amber blood
and bone,
the rippling of bright muscles like
a sea,
Remember the rose-prickles of
bright paws
Though we shall mate no more
Till the fire of that sun
and the moon -
Cold bone are one"

Said the skeleton lying upon the
sands of time -
"The great gold planet that
is the mourning heat
of the sun
Is greater than all gold, more powerful
Than the tawny body of a lion that fire
consumes
Like all that grows or leaps...so
is the heart.

More powerful than all dust. Once
I was hercules
Or Samson, strong as the pillars of the
seas:
But the flames of the heart
Consumed me, and
the mind
Is but a foolish wind.

I have taken this step because I want the discipline, the fire and the authority of the Church. I am hopelessly unworthy of it, but I hope to become worthy.

Still falls the Rain -
Dark as the world of man, black as our loss -
Blind as the nineteen hundred and forty nails
Upon the Cross

I am an unpopular electric eel in a pool of catfish.

As for the usefulness of poetry, its uses are many. It is the deification of reality. It should make our days holy to us. The poet should speak to all men, for a moment, of that other life of theirs that they have smothered and forgotten.

All day long you sit and sew,
Stitch life down for fear it grow,

Stitch life down for fear we guess
At the hidden ugliness.

Dusty voice that throbs with heat,
Hoping with your steel-thin beat

To put stitches in my mind,
Make it tidy, make it kind,

You shall not: I'll keep it free
Though you turn earth, sky and sea

To a patchwork quilt to keep
Your mind snug and warm in sleep!

The rhythms of our lives
Are those of the ripening, dying of the seasons

The poet is a brother speaking to a brother of "a moment of their other lives" — a moment that had been buried beneath the dust of the busy world.

lay your heart bare to my heart again,
In your small earthly dress

Oh how the Vacancy
Laughed at them rushing by.
"Turn again, flesh and brain,
Only yourselves again!
How far above the ape
Differing in each shape,
You with your regular
Meaningless circles are!"

A great many people now reading and writing would be better employed keeping rabbits.

Answers

I kept my answers small and kept them near;
Big questions bruised my mind but still I let
Small answers be a bullwark to my fear.

The huge abstractions I kept from the light;
Small things I handled and caressed and loved.
I let the stars assume the whole of night.

But the big answers clamoured to be moved Into my life. Their great audacity
Shouted to be acknowledged and believed.

Even when all small answers build up to
Protection of my spirit, still I hear
Big answers striving for their overthrow.

And all the great conclusions coming near