It was the most terrible feeling. I'd had enough and I'd felt I'd lost something so very important to me. I thought it had died and gone away. And I was frightened it might not come back. I just didn't seem to be able to shake off this feeling of doom and gloom. I had to come home. But to what? I was tired. I missed New York and the show and the people. It was like a grieving process.

My first singing role was as Susanna in a school production in a shortened form of Mozart’s The Marriage of Figaro. I loved to sing and I was given lots of encouragement by a wonderful music teacher Mrs Ann Hill and by my parents who suggested I go to drama school.

And so one becomes, or I become, anyway, slightly obsessive, particularly about my health, because you wouldn't want to read the letters people write when you're off and they're disappointed - it's so awful, the guilt one feels for not being there.