Elaine Paige Quotes

I would have liked to have had kids, and had a family, but I think in my profession it's quite difficult to achieve because you're always working. I think I'm the kind of person as well, had I had kids, I wouldn't have gone on working. I would have jacked it all in. But it's a wonderful life I have, so I'm very fulfilled in other ways. Am I ever bothered by it? Well it's too late now, (laughs).

Learn to take rejection, keep fit and work only with the best in your field.

If you’re a serious actor, you wouldn’t put yourself up for one of those shows in case you got bumped off the first week and all your colleagues saw it.

I loved it. We would rehearse in this dark theatre, unaware of the sunny day outside, and be immersed in the magic of creating something from our imaginations.

I thought: "Gosh, it really has been worth the wait." And I think had I gone with Evita, I probably wouldn't have been ready to deal with it. It was just the most perfect time to go with that particular show.

I have been fortunate to play some fantastic roles in musicals and I find it difficult to say which is my favourite. It's generally whichever I am playing at the time. However playing Eva Peron in Evita will always be particularly special to me. Being chosen to originate the role in the premiere of a much sought after and what became a ground-breaking, award-winning musical which launched my career was a great challenge and it gave me the opportunity to play more great roles in the future.

And so one becomes, or I become, anyway, slightly obsessive, particularly about my health, because you wouldn't want to read the letters people write when you're off and they're disappointed - it's so awful, the guilt one feels for not being there.

I never for a moment considered not doing the show. When I did the show I became very emotional. Some of the lyrics suddenly took on an entirely different meaning. Words like, 'as if we never said goodbye' became more real.

It was the most terrible feeling. I'd had enough and I'd felt I'd lost something so very important to me. I thought it had died and gone away. And I was frightened it might not come back. I just didn't seem to be able to shake off this feeling of doom and gloom. I had to come home. But to what? I was tired. I missed New York and the show and the people. It was like a grieving process.

My dad always told me that perseverance furthers. He was right.

My first singing role was as Susanna in a school production in a shortened form of Mozart’s The Marriage of Figaro. I loved to sing and I was given lots of encouragement by a wonderful music teacher Mrs Ann Hill and by my parents who suggested I go to drama school.

I couldn't tell anyone about it. I didn't want anyone to know. It's only now that I've survived, I'm able to speak about it. As far as I know I'm clear and completely well - but it never leaves you completely. It's made me learn a lot about myself. When you're on your own, you've just got to get on with it, grit your teeth and think, 'Right, I'm going to beat this.' I did have my dear friend and, without him, I don't know what I would have done.

It did something to me. I thought it was the most glorious melody.

Oh, it was awful, and I vowed to myself I would never, ever push myself to the edge that much again. It was really frightening. Because absolutely everything seemed to be impossible to deal with, just little things became major - noise, if someone had a radio on, or even the sound of traffic, or being in someone's company for longer than 10 minutes - I started to find it all too much.

On the very rare occasion when they don't all jump up out of their seats I'm always mortified.