English poet (1806–1861)
Elizabeth Barrett Browning (March 6 1806 – June 29 1861) was an English poet and the wife of Robert Browning.
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Birth Name:
Elizabeth Moulton-Barrett
Alternative Names:
Mrs. Browning
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Elizabeth Barrett Barrett
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Elizabeth Barrett-Browning
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Elizaveta Barrett Brauning
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Elisabeth Barrett Browning
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Elizabeth Barrett Browning, née Barrett
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O Life,
How oft we throw it off and think, — 'Enough,
Enough of life in so much! — here's a cause
For rupture; — herein we must break with Life,
Or be ourselves unworthy; here we are wronged,
Maimed, spoiled for aspiration: farewell Life!' — And so, as froward babes, we hide our eyes
And think all ended. — Then, Life calls to us
In some transformed, apocryphal, new voice,
Above us, or below us, or around . .
Perhaps we name it Nature's voice, or Love's,
Tricking ourselves, because we are more ashamed
To own our compensations than our griefs:
Still, Life's voice! — still, we make our peace with Life.
In September 1841 the journey from Torquay was actually achieved, and Miss Barrett returned to her father’s house in London, from which she was never to be absent for more than a few hours at a time until the day, five years later, when she finally left it to join her husband, Robert Browning. Her life was that of an invalid, confined to her room for the greater part of each year, and unable to see any but a few intimate friends. Still, she regained some sort of strength, especially during the warmth of the summer months, and was able to throw herself with real interest into literary work. In a life such as this there are few outward events to record, and its story is best told in Miss Barrett’s own letters, which, for the most part, need little comment.
Take from my head the thorn-wreath brown! No mortal grief deserves that crown. O supreme Love, chief misery, The sharp regalia are for Thee Whose days eternally go on!' For us, — whatever's undergone, Thou knowest, willest what is done, Grief may be joy misunderstood; Only the Good discerns the good. I trust Thee while my days go on.
Flushie did not seem to think the harp alive when it was taken out of the window and laid close to him. He examined it particularly, and is a philosophical dog. But I am sure that at first and while it was playing he thought so. In the same way he can’t bear me to look into a glass, because he thinks there is a little brown dog inside every looking glass, and he is jealous of its being so close to me. He used to tremble and bark at it, but now he is silently jealous, and contents himself with squeezing close, close to me and kissing me expressively.
How do I love thee? Let me count the ways.
I love thee to the depth and breadth and height
My soul can reach, when feeling out of sight
For the ends of being and ideal grace.
I love thee to the level of every day's
Most quiet need, by sun and candle-light.
I love thee freely, as men strive for right.
I love thee purely, as they turn from praise.
I love thee with the passion put to use
In my old griefs, and with my childhood's faith.
I love thee with a love I seemed to lose
With my lost saints. I love thee with the breath,
Smiles, tears, of all my life; and, if God choose,
I shall but love thee better after death.