Traditional historical methods that could be applied to a history of women and photography related to New Zealand are unsuitable and unrealistic tools to analyse types of photographs women tended to make and the circumstances of their production.

I am interested in the material legacy of photographs by early woman photographers in New Zealand museums and archives (or the lack thereof), and the question of how to rethink curatorial concerns that have been formed by histories that have excluded, not only work relating to New Zealand, but the work of women.

Works in ChatGPT, Claude, or Any AI

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