British writer and journalist (1903–1966)
Arthur Evelyn St. John Waugh (28 October 1903 – 10 April 1966) was an English writer of novels, biographies, and travel books; he was also a prolific journalist and book reviewer. His most famous works include the early satires Decline and Fall (1928) and A Handful of Dust (1934), the novel Brideshead Revisited (1945), and the Second World War trilogy Sword of Honour (1952–1961). He is recognised as one of the great prose stylists of the English language in the 20th century.
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None of the great movements of the nineteenth century is more typical of its age than that for the freeing of the slaves. It depended on all those fallacies that are being abandoned today: the idea of a perfectible evolutionary man, of a responsible democratic voter, of the beneficial effect of mechanization, and, above all, on sentimental belief in the basic sweetness of human nature.
"At Swindon we turned off the main road and, as the sun mounted high, we were among dry-stone walls and ashlar houses. It was about eleven when Sebastian, without warning, turned the car into a cart track and stopped. It was hot enough now to make us seek the shade. On a sheep-cropped knoll under a clump of elms we ate the strawberries and drank the wine — as Sebastian promised, they were delicious together — and we lit fat, Turkish cigarettes and lay on our backs, Sebastian's eyes on the leaves above him, mine on his profile, while the blue-grey smoke rose, untroubled by any wind, to the blue-green shadows of foliage, and the sweet scent of the tobacco merged with the sweet summer scents around us and the fumes of the sweet, golden wine seemed to lift us a finger's breadth above the turf and hold us suspended.
"Just the place to bury a crock of gold," said Sebastian. "I should like to bury something precious in every place where I've been happy and then, when I was old and ugly and miserable, I could come back and dig it up and remember.
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This was my conversion to the baroque. Here under that high and insolent dome, under those tricky ceilings; here, as I passed through those arches and broken pediments to the pillared shade beyond and sat, hour by hour, before the fountain, probing its shadows, tracing its lingering echoes, rejoicing in all its clustered feats of daring and invention, I felt a whole new system of nerves alive within me, as though the water that spurted and bubbled among its stones was indeed a life-giving spring.
"Then they began saying, "Get hold of him. Put him in Mercury." Now as you know I have two sculptures by Brancusi and several pretty things and I did not want them to start getting rough, so I said, pacifically, "Dear sweet clodhoppers, if you knew anything of sexual psychology you would know that nothing could give me keener pleasure than to be manhandled by you meaty boys. It would be an ecstasy of the very naughtiest kind. So if any of you wishes to be my partner in joy come and seize me. If, on the other hand, you simply wish to satisfy some obscure and less easily classified libido and see me bathe, come with me quietly, dear louts, to the fountain.
I rejoiced in the Burgundy. It seemed a reminder that the world was an older and better place than Rex knew, that mankind in its long passion had learned another wisdom than his. By chance I met this same wine again, lunching with my wine merchant in St James’s Street in the first Autumn of the war; it had softened and faded in the intervening years, but it still spoke in the pure, authentic accent of its prime, the same words of hope.