Evelyn Waugh Quotes

British writer and journalist (1903–1966)

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Arthur Evelyn St. John Waugh (28 October 1903 – 10 April 1966) was an English writer of novels, biographies, and travel books; he was also a prolific journalist and book reviewer. His most famous works include the early satires Decline and Fall (1928) and A Handful of Dust (1934), the novel Brideshead Revisited (1945), and the Second World War trilogy Sword of Honour (1952–1961). He is recognised as one of the great prose stylists of the English language in the 20th century.

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Alternative Names: Evelyn Arthur St John Waugh • Arthur Evelyn St. John Waugh

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The vision fades, the soul sickens, and the routine of survival starts again.

What's this place called?' He told me and, on the instant, it was as though someone had switched off the wireless, and a voice that had been bawling in my ears, incessently, fatuously for days beyond number, had suddenly been cut short; an immense silence followed, empty at first, but gradually, as my outraged sense regained authority, full of a multitude of sweet and natural and long forgotten sounds: for he had spoken a name so familiar to me, a conjuror's name of such ancient power, that, at its mere sound, the phantoms of those haunted late years began to take flight.

Manners are especially the need of the plain. The pretty can get away with anything.

Her heart was broken perhaps, but it was a small inexpensive organ of local manufacture. In a wider and grander way she felt things had been simplified.

Charm is the great English blight. It does not exist outside these damp islands. It spots and kills anything it touches. It kills love; it kills art; I greatly fear, my dear Charles, it has killed you.

"Old boy," said Grimes, "you're in love."
"Nonsense!"
"Smitten?" said Grimes.
"No, no."
"The tender passion?"
"No."
"Cupid's jolly little darts?"
"No."
"Spring fancies, love's young dream?"
"Nonsense!"
"Not even a quickening of the pulse?"
"No."
"A sweet despair?"
"Certainly not."
"A trembling hope?"
"No."
"A frisson? a Je ne sais quoi?"
"Nothing of the sort."
"Liar!" said Grimes.

The worse I am, the more I need God. I can't shut myself out from His mercy. That is what it would mean; starting a life with you, without Him.

The human soul enjoys these rare, classical periods, but, apart from them, we are seldom single or unique; we keep company in this world with a hoard of abstractions and reflections and counterfeits of ourselves - the sensual man, the economic man, the man of reason, the beast, the machine and the sleepwalker, and heaven knows what besides, all in our own image, indistinguishable from ourselves to the outside eye. We get borne along, out of sight in the press, unresisting, till we get the chance to drop behind unnoticed, or to dodge down a sides treet, pause, breathe freely and take our bearings, or to push ahead, outdistance our shadows, lead them a dance, so that when at length they catch up with us, they look at one another askance, knowing we have a secret we shall never share.

He had no strength for any other war than his own solitary struggle to keep alive.

I know very few young people, but it seems to me that they are all possessed with an almost fatal hunger for permanence.

"Soon someone would say the fatal words, "Well, I think it’s time for me to go to bed.

Of course those that have charm don't really need brains.

The fortnight at Venice passed quickly and sweetly — perhaps too sweetly; I was drowning in honey, stingless.

Sebastian is in love with his own childhood. That will make him very unhappy.

"She told me later that she had made a kind of note of me in her mind, as, scanning the shelf for a particular book, one will sometimes have one's attention caught by another, take it down, glance at the title page and saying "I must read that, too, when I've the time," replace it and continue the search."