Gabrielle Zevin Quotes

Zweisamkeit' is the feeling of being alone even when you're with other people." Simon turned to look in his husband's eyes. "Before I met you, I felt this constantly. I felt it with my family, my friends, and every boyfriend I ever had. I felt it so often that I thought this was the nature of living. To be alive was to accept that you were fundamentally alone." Simon's eyes were moist. "I know I'm impossible, and I know you don't care about German words or marriage. All I can say is, I love you and thank you for marrying me anyway.

Rosie crosses her arm. "That's one of those things you say to sound smart, right?" she says. "But, really, you're trying to make someone else feel stupid.

Tell me I don't know you, Sam thought. Tell me I don't know you when I could draw both sides of this hand, your hand, from memory.

I love you, ... It is hard for me to say, because sometimes it doesn't seem like it is enough.

How do you get over a failure? I think you mean a public failure. Because we all fail in private. I failed with you, for example, but no one posted an online review about it, unless you did. I fail with my wife and with my son. I fail in my work every day, but I keep turning over the problems until I'm not failing anymore. But public failures are different, it's true. So, what do I do? she asked. You go back to work. You take advantage of the quiet time that a failure allows you. You remind yourself that no one is paying any attention to you and it's a perfect time for you to sit down in front of your computer and make another game. You try again. You fail better.

He loved the intimacy of being in a tight group of people who had come together, miraculously, for a brief period in time, for the purpose of making art.

There is no purity in art. The process of how you arrive at something doesn't matter at all.

For the record, everything new is not worse than everything old.

if you were older you might agree with me. you might say that real love steals nothing. you might say that real love leaves a person intact. you would be wrong, jane. love is a greedy toddler who knows only the word 'mine.

He was tired of having to move so carefully, of having to be so careful. He wanted to be able to skip, for God's sake. He wanted to be Ichigo. He wanted to surf, and ski, and parasail, and fly, and scale mountains and buildings. He wanted to die a million deaths like Ichigo, and no matter what damage was inflicted on his body during the day, he'd wake up tomorrow, new and whole. He wanted Ichigo's life, a lifetime of endless, immaculate tomorrows, free of mistakes and the evidence of having lived.

I am so tired of your crap. Do you honestly think you suffer more than everyone else? Do you think you suffer more than I do? Do you think you're the first person to ever have a baby? Or lose someone? Do you think you're some goddamned pioneer when it comes to grief?"

Sadie shifted forward, and he could feel the momentum in their argument. He could feel the cruel thing she was about to say in response to the cruel thing he had said. But the cruel thing did not arrive. Disturbingly, she slumped forward, and started to weep.

He watched her, but he did not go over to her. "Snap out of it, Sadie. Come to the office. We work through our pain. That's what we do. We put the pain into the work, and the work becomes better. But you have to participate. You have to talk to me. You can't ignore me and our company and everything that came before.

Is a twist less satisfying if you know it's coming? Is a twist that you can't predict symptomatic of bad construction? These are things to consider when writing.

It's difficult to ever go back to the same places or people. You turn away, even for a moment, and when you turn back around, everything's changed.

In life, Jane reflected, the most interesting things tend to happen when you're on your way to do something else.

Sam used to say that Marx was the most fortunate person he had ever met — he was lucky with lovers, in business, in looks, in life. But the longer Sadie knew Marx, the more she thought Sam hadn't truly understood the nature of Marx's good fortune. Marx was fortunate because he saw everything as if it were a fortuitous bounty. It was impossible to know — were persimmons his favorite fruit, or had they just now become his favorite fruit because there they were, growing in his own backyard? He had certainly never mentioned persimmons before. My God, she thought, he is so easy to love. "Shouldn't you wash that?" Sadie asked.