Armenian-American novelist, playwright, and short story writer (1908-1981)
William Saroyan (31 August 1908 – 18 May 1981) was an Armenian American author, famous for his novel The Human Comedy (1943) and other works dealing with the comedies and tragedies of everyday existence.
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I have been vitally aware of the Law of Opposites, and this awareness has kept me reasonably serene... the drama of life... the play of truth. the quarrel of fools and frauds, male and female, the classic and the romantic, the disciplined and the free... the comic and the tragic contrasting of the opposites in all areas of possibility and on and on and on.
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You abandon most readily those works that have no destination other than your own wishes; there is no editor or producer standing there waiting for them... I've told every young writer I know to do the job all the way through even if they think it's no good. Then they'll have the precedent of having finished work.
I was never interested in the obvious, or in the details one takes for granted, and everybody seemed to be addicted to the obvious, being astonished by it, and forever harping about the details which I had long ago weighted, measured, and discarded as irrelevant and useless. If you can measure it, don't. If you can weigh it, it isn't worth the bother. It isn't what you're after. It isn't going to get it. My wisdom was visual and as swift as vision. I looked, I saw, I understood, I felt, "That's that, where do we go from here?" .
Dear lady, ... dear gentleman, reader, [it's] not right ... to put down this writer on his writing ... And I'll tell you why, too: it hurts, that's why.... People try to understand why writers commit suicide by jumping off boats or by alcoholism or by being heroic continuously or by rope or gun or drug or knife or water, and ... I can tell you straight out, ... it is reading slurring remarks about their writing that drives writers to the grave. Dirty remarks passed by ... dirty but damned nicely educated and very highly-paid ladies and gentlemen have the effect of killing writers. Yes, that's right. Dirty words ... in slick paper magazines read by smart people do assassinate writers. ... And boy let me tell you I am all for it, even when by some ... misunderstanding the dirty words are directed to me rather than to the party really deserving them. Accidents happen, dear clever reviewer or critic, and let it not be said that William Saroyan is one not to see a situation from the point of view of the other party, ... and I shall be the first to defend your right to be critical and even sarcastic, knowing full well that it is not about me and my writing, although my name is by mistake taken in vain by you. ... But go on, go on, do your good clever writing, every one of you, I am home, your are home, and we are each of us not yet on Variety's Necrology list, so if we can't take it, who can?
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Don't tell me I'm sentimental, you sons of bitches. You are contemptible, your dishonesty is contemptible, your careful plodding with words, to keep them safely captured inside your silly little theories are contemptible, but I don't hate you, because each of you is a sad little pompous son of a bitch, with a chair at a university, and you are fighting bravely to seem to be somebody.