Once he saw a young girl with a small black satchel descend from a train, and she seemed so lonely and frightened that he wanted to shout to her and run down to her and smile and tell her, My name is Joe Silvera. I was born in this town, but I went away when I was seventeen and stayed away seven years. I've been back four months. I live across the street. I'm a painter. Come on up to my place and rest; I've got some wine.

All he did, though, was stare at her, and finally when she disappeared, walking down Tulare Street, he wanted very much, even then, to run down to the street and catch up with her; and a day later he wanted to look for her all over town; and a week later he wondered where she might be.

He paints for the blind, and we are the blind, and he lets us see for sure what we saw long ago but weren't sure we saw. He paints for the dead, to remind us that — great good God, think of it — we're alive, and on our way to weather, from the sea to the hot interior, to watermelon there, a bird at night chasing a child past flowering cactus, a building on fire, barking dogs, and guitar-players not playing at eight o'clock, every picture saying, "Did you live, man? Were you alive back there for a little while? Good for you, good for you, and wasn't it hot, though? Wasn't it great when it was hot, though?"

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In every house there ought to be an art table on which, one by one, things are placed, so that everybody in that house might look at the things very carefully, and see them.'

'What would
you put on a table like that?'

'A leaf. A coin. A button. A stone. A small piece of torn newspaper. An apple. An egg. A pebble. A flower. A dead insect. A shoe.'

'Everybody's
seen those things.'

'Of course. But nobody
looks at them, and that's what art is. To look at familiar things as if they had never before been seen... A necktie. A pocketknife... a walnut.

Unless a man has pity he is not truly a man. If a man has not wept at the worlds pain he is only half a man, and there will always be pain in the world, knowing this does not mean that a man shall dispair. A good man will seek to take pain out of things. A foolish man will not even notice it, except in himself, and the poor unfortunate evil man will drive pain deeper into things and spread it about wherever he goes.

When, at the age of eighteen, I was the manager of the Postal Telegraph office at 21 Taylor Street in San Francisco, I remember having been asked by the clerk there, a man named Clifford, who the hell I thought I was. And I remember replying very simply and earnestly somewhat as follows: If you have ever heard of George Bernard Shaw, if you have ever read his plays or prefaces, you will know what I mean when I tell you that I am that man by another name. Who is he? I remember the clerk asking. George Bernard Shaw, I replied, is the tonic of the Christian peoples of the world. He is health, wisdom, and comedy, and that's what I am too.
How do you figure? The clerk said. Don't bother me, I said. I'm the night manager of this office and when I tell you something it's final.

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Everything alive is part of each of us, and many things which do not move as we move are part of us. The sun is part of us, the earth, the sky, the stars, the rivers, and the oceans. All things are part of us, and we have come here to enjoy them and to thank God for them.