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" "I have an idea that most of all he is running away from love, because it's too big and too demanding. He's running away from us — from you, from me, from his sister, from himself, too. Who wants to be himself, who wants to be so little, and so captured and limited?
William Saroyan (31 August 1908 – 18 May 1981) was an Armenian American author, famous for his novel The Human Comedy (1943) and other works dealing with the comedies and tragedies of everyday existence.
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Dear lady, ... dear gentleman, reader, [it's] not right ... to put down this writer on his writing ... And I'll tell you why, too: it hurts, that's why.... People try to understand why writers commit suicide by jumping off boats or by alcoholism or by being heroic continuously or by rope or gun or drug or knife or water, and ... I can tell you straight out, ... it is reading slurring remarks about their writing that drives writers to the grave. Dirty remarks passed by ... dirty but damned nicely educated and very highly-paid ladies and gentlemen have the effect of killing writers. Yes, that's right. Dirty words ... in slick paper magazines read by smart people do assassinate writers. ... And boy let me tell you I am all for it, even when by some ... misunderstanding the dirty words are directed to me rather than to the party really deserving them. Accidents happen, dear clever reviewer or critic, and let it not be said that William Saroyan is one not to see a situation from the point of view of the other party, ... and I shall be the first to defend your right to be critical and even sarcastic, knowing full well that it is not about me and my writing, although my name is by mistake taken in vain by you. ... But go on, go on, do your good clever writing, every one of you, I am home, your are home, and we are each of us not yet on Variety's Necrology list, so if we can't take it, who can?
This sense of being out of time has driven thousands of people from their homes into moving-picture theaters where new universes appear before them, with emphasis on man and his major problem: a thing called, conveniently, love. The Sunday midnight shows do a thriving business, and the people go back to their homes, sick with the sickness of frustration; it is this that makes the city so interesting at night: the people emerging from the theaters, smoking cigarettes and looking desperate, wanting much, the precision, the glory, all the loveliness of life: wanting what is finest and getting nothing. It is saddening to see them, but there is mockery in the heart: one walks among them, laughing at oneself and at them, their midnight staring.