Geddy Lee Quotes

Regardless of what you want to say about KISS, musically or otherwise, there was no harder-working band than KISS. And there was no band more determined to put on a spectacular show and give people their money's worth than KISS. That was a great thing to see as an opening act. We were so impressionable, and we were so green...they were very good to us. Those guys liked to have a good time!

Here we are in our finery, playing at the venerable Gasworks. Deep in the throes of glam, we’d change into our sequins and studs in a tiny dressing area situated beneath a restroom, which more than once leaked through the ceiling, forcing us to go onstage redolent of urine.

Once I have lyrics, being able to shape them around a song is nothing new for me, I've been doing that for 25 years. The soul searching part of it, the spontaneous part of it, that was, and remains, a really terrific process.

Music is all about wanting to be better at it.

I was a fan of guys with a higher range like Steve Marriott in the Small Faces and Humble Pie. (Humble Pie’s Performance: Rockin’ the Fillmore would be a hugely influential

"I have a feeling" she said, "he's up to some monkey business." "What kind of monkey business Mom?" I asked. "You know," she said. "The main monkey business."

For me, how I feel about what I wrote down turns into a song.

All of us get lost in the darkness, dreamers learn to steer by the stars.

For a bass player to find a drummer with the exact same mindset is a rare and special thing.

I feel that we're living in an era that seems to have forgotten what can and will happen when fascism rears its head. I think we all need reminding of it in the face of those who either deny the past or never knew about it in the first place.

Fact is, to this day I have a long fucking memory for people who treat me badly.

I wouldn't go so far as to say that over the years I drove producers and engineers a little crazy, but... well... Yeah, let's say I did. I'd watch every little thing with an eagle eye, trying to understand and remember every flick of a switch, leaping on people if they forgot to do the smallest thing, demanding explanations for everything. I couldn't help myself, and I've always been the same. It's partly a matter of control, partly (depending on who we'd be working with) a lack of trust, but most important, it's a compulsion to exhaust every possibility to make the perfect record. I don't want to have to live with errors. Impossible, I know, but what's the effin' point of not shooting for the moon?

"If the first is the year of sorrow," Neil wrote. "The second is the year of emptiness."

Working at Perfekt, Got me down on my knees. Success to failure, Just a matter of degrees. Working at Perfekt, Got me down on my knees...

"I have said this before, and so has Neil, but it bears repeating: if we learned one thing from all of this, it was a young artist's greatest asset is the word "no". It's an immensely valuable word. There will always be pressure on you to compromise, pressure to sell your dreams short, and there will always be people who want you to be something that you're not, but none of these things can happen without your permission. My most urgent advice to aspiring artists is always" Be true to yourself and just say no". Oh, and always take your wallet onstage with you. Bada-bing!"