Chris Martin Quotes

One of our big conversations that we always have in this band is, we don't see rock & roll as being about coke-taking, leather-trouser-wearing rebellion, because that to us is not rebellion anymore. The spirit of rock & roll is freedom. It's about following what you believe in and not caring what anyone else says. And if that means writing something on your hand, then you've got to write something on your hand. It doesn't matter if you don't look as cool as the Ramones - you're never going to, anyway. So I know that we'll be ridiculed for this and look stupid for that. But as long as we believe in what we're doing, we can't apologize for it.

It does something to your brain which is odd... you have to work really hard not to be a real d**k (in personal life). source

Up until 23, the concept of death hadn't occurred to me, then someone asked me if I'd heard about Jonty, this friend from school. I said, "No, what?" "He's dead." I used to play football with him. That's amazing, isn't it? Life is right now. It's not a morbid realisation, it's exciting, I find that feeling of time constraint very liberating. Nobody has an answer. We all die in the end. So come on, let's do something now. source

Ever since our band came out, we have been a very polarising group because we do a certain thing very well.

To be a frontman you have to be half very driven and half a total knob. I like to think I'm both.

I've never hit anyone. I've tripped someone up, I got in trouble about that. He was chasing after somebody and I didn't like it, so we were running along together and he fell over. I wasn't put in a police cell, but I got fingerprinted. Police stations are terrifying. I'm petrified about losing any of the things I care about: family, band, hair, freedom. All I'll say is that they're fucking bastards - not the police, the paparazzi. source

What's good about the way we write songs is that I never quite know what I'm doing cause I can't read music. source

Whether you're 15 or you are 55 or 80, it’s like, well I'm whole, I don’t have a missing piece, you’ve just got to find that wholeness within. Does that make any sense? source

It’s more egalitarian on the Internet, anyone can put anything up. But in terms of the money it takes to allow a band to get good, there’s less of it to invest. Music is split up now into little pockets. source

You get summoned to their castle, then you wait for about a week in a small room where you're just fed very minimally and if you survive that stage about fifteen another people, whoever survives that gets through the next stage where you get to play tennis with Jay and if you beat him twice you get sent through to meet the rest of Destiny's Child. They check you for lice and bugs and if they deem you cleaned up then you can meet Beyoncé behind the screen.

It’s hard to perfect a happy song. Pharrell managed it. Stevie Wonder managed it. Bill Withers managed it. I haven’t managed it yet.

She can turn anything into gold with that voice, here's the thing: if you speak to a good singing teacher about great opera singers, they will talk about consistency of tone. Or there's a book by Alfred Tomatis about why some people like certain people's voices and other people hate them, like Bob Dylan or me or whoever, some people say, 'Oh, I hate that voice', so there's a thing about people's frequency responses, what they are pleased by. Rihanna has this thick tone, so it's very hard to annoy anybody.

I have been reading recently about synesthesia, in this case, the association of music and other sensory information with colors and I realized that I probably have a little or a lot of that current. I don't think it's unusual for songwriters. When I think of other people's songs or albums, a color comes to my mind.

I don’t think being 13 to 15 is an easy time for any boy. It’s like a big puberty race, and if you’re coming in last, it’s not such a great race to be in. I was a hyper-religious, quite naive and very judgmental kid. I was unpopular for three years, and then it all kind of switched when I was 16. But I had already been marked with the “I’m going to fucking get out of here and show you bastards what’s what” tag. So I’m very grateful for that period of challenge between 13 and 16, facing the blinkeredness of that kind of schoolboy mentality of, like, “You’re gay, you’re bad at sports, you’re this, you’re that.” Because it did make me think: “I don’t want to end up in some bank, where I’m going to have to take this kind of shit off these same people for the rest of my life. I need to get out of this fucking treadmill 'public school, into university, into a bank, into a summer house in France'.”

It's weird that whatever else is on your mind, whether it's the downfall of global economics or terrible environmental troubles, the thing that always gets you most is when you fancy someone. source