I have a hard time thinking of men trying to sing my songs, because I think my perspective is very much feminine... For me the idea of having a feminine perspective is a willingness to be vulnerable. It's very easy to cock-rock and posture. I can't help but wear my heart on my sleeve—I'm like nervous endings. That's just the way that I am and, to me, that's very female because it's not a male thing to do. A male thing to do would be to fuckin' posture.

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...What people miss about (Marilyn) Manson is that he is just reflecting, he's an artist, people want to focus that energy on him, but it's not really him, it's really about you. So for every guy sitting there with a beer and a .45 in his belt, Manson is just speaking to that end of society. He's speaking as an artist. He's not speaking as himself, and that's where people get really lost with Manson.

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There's a really a cold, cold side to my personality that I'm not really comfortable with. I'm constantly dealing with that side of my personality versus my overly sentimental side… There's just a side that's a real motherfucker side; it's nothing I want to admit or even look at. It's where a lot of my strength lies. It's been the part of me that's been able to steel my spine against situations that probably would have broken a lot of people, or caused them to jump off the loop.

We're like a really nice drink. We help people get through the day--we make life a little sunnier. I don't think we have any profound effect. If anybody has had a profound effect, it's The Beatles, and their effect is still minimal. There are things in the world way more important than music. Family is 50 times more important than music.

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It's about the girlfriend who left me last year. I tried to put all my anger in those words, even though I'm just as much to blame for the break-up. 'Soma' is based on the idea that a love relationship is almost the same as opium: it slowly puts you to sleep, it soothes you, and gives you the illusion of sureness and security. Very deceivable.