My idea in "My Sweet Lord," because it sounded like a "pop song," was to sneak up on them a bit. The point was to have the people not offended by "Hallelujah," and by the time it gets to "Hare Krishna," they're already hooked, and their foot's tapping, and they're already singing along "Hallelujah," to kind of lull them into a sense of false security. And then suddenly it turns into "Hare Krishna," and they will all be singing that before they know what's happened, and they will think, "Hey, I thought I wasn't supposed to like Hare Krishna!"

I don't mind anybody dropping out of anything, but it's the imposition on somebody else I don't like. The moment you start dropping out and then begging off somebody else to help you, then it's no good. It doesn't matter what you are as long as you work. It doesn't matter if you chop wood as long as you chop and keep chopping. Then you get what's coming to you. You don't have to drop out. In fact, if you drop out you put yourself further away from the goal of life than if you were to keep working.

All religions are branches of one big tree. It doesn't matter what you call Him just as long as you call. Just as cinematic images appear to be real but are only combinations of light and shade, so is the universal variety a delusion. The planetary spheres, with their countless forms of life, are naught but figures in a cosmic motion picture. One's values are profoundly changed when he is finally convinced that creation is only a vast motion picture and that not in, but beyond, lies his own ultimate reality.

George: [On the 'Two Virgins' cover]
'What I thought of the sleeve then was the same as I think now: it's just two not-very-nice-looking bodies, two flabby bodies naked. It's harmless, really - different strokes for different folks.