George: 'Ringo would always say grammmatically incorrect phrases and we'd all laugh. I remember when we were driving back to Liverpool from Luton up the M1 motorway in Ringo's Zephyr, and the car's bonnet hadn't been latched properly. The wind got under it and blew it up in front of the windscreen. We were all shouting, 'Aaaargh!' and Ringo calmly said, 'Don't worry, I'll soon have you back in your safely-beds.

George: [On getting the M.B.E.]
'After all we did for Great Britain, selling all that corduroy and making it swing, they gave us that bloody old leather medal with wooden string through it. But my initial reaction was, 'Oh, how nice, how nice.' And John's was, 'How nice, how nice.

George: [On the 'Two Virgins' cover]
'What I thought of the sleeve then was the same as I think now: it's just two not-very-nice-looking bodies, two flabby bodies naked. It's harmless, really - different strokes for different folks.

So it's the unwinding of your nervous system. The corresponding experience to what winds you up comes out in your dreams. To write a song then, even one like Don't Bother Me, helps to get rid of some subconscious burden. Writing a song is like going to confession.

I’m really quite simple. I don’t want to be in the business full time, because I’m a gardener. I plant flowers and watch them grow. I don’t go out to clubs. I don’t party. I stay at home and watch the river flow.