It is only in the case of musical instruments that I find any commendable diligence in the [Irish] people. They seem to me to be incomparably more skilled in these than any other people that I have seen. The movement is not, as in the British instrument to which we are accustomed, slow and easy, but rather quick and lively, while at the same time the melody is sweet and pleasant. It is remarkable how, in spite of the great speed of the fingers, the musical proportion is maintained. The melody is kept perfect and full with unimpaired art through everything – through quivering measures and the involved use of several instruments – with a rapidity that charms, a rhythmic pattern that is varied and a concord achieved through elements discordant.

In musico modulamine, non uniformiter, ut alibi, sed multipliciter, multisque modis et modulis, cantilenas emittunt. Adeo ut in turba canentium, sicut huic genti mos est, quot videas capita, tot audias carmina discriminaque vocum varia.

As far as the Cluniacs and the Cistercians are concerned, what follows is a fair appraisal of the two orders. Give the Cluniacs today a tract of land covered with marvellous buildings, endow them with ample revenues and enrich the place with vast possessions: before you can turn round it will all be ruined and reduced to poverty. On the other hand, settle the Cistercians in some barren retreat which is hidden away in an overgrown forest: a year or two later you will find splendid churches there and fine monastic buildings, with a great amount of property and all the wealth you can imagine.