If you are submerged in normal life, then your view will be normal. So we have to keep separate from normal life in order to be able to say something that is not known. People come to art for something that they don’t understand, that’s not in their life already.

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We don't want to know what we are doing. It's much better not to know. You have to express yourselves, once you've finished a group of works you have to start all over again. It's extraordinary stuff - what an artist has to do. You finish a big group of works, then the next day you have to begin again. Forty years we've been doing that.

People used to refer to our art as "gay art"—though they never said the "gay art of Leonardo or Michelangelo." Much of our content used to be taboo and isn't considered that anymore, not just in the obvious ways of sexuality or bodies. The art world has moved to the point that Gilbert & George isn't on the radical edge anymore.

It is important to us to publish our art in books and catalogues, so as many people as possible are able to see it, but we also want them to see the real pieces. We like it very much when the pictures take over. When they’re bigger than the viewer. You go to a museum to look at a picture, but we like it when the picture looks at you.