American music producer (born 1963)
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You work not as an evangelist, expecting miracles, but as a scientist, testing and adjusting and testing again. Experimenting and building on the results. Faith is rewarded, perhaps even more than talent or ability. After all, how can we offer the art what it needs without blind trust? We are required to believe in something that doesn’t exist in order to allow it to come into being.
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Similarly, the total output of human creativity, in all its kaleidoscopic breadth, pieces together the fabric forming our culture. The underlying intention of our work is the aspect allowing it to fit neatly into this fabric. Rarely if ever do we know the grand intention, yet if we surrender to the creative impulse, our singular piece of the puzzle takes its proper shape.
Intention is all there is. The work is just a reminder.
If you see tremendous beauty or tremendous pain where other people see little or nothing at all, you’re confronted with big feelings all the time. These emotions can be confusing and overwhelming. When those around you don’t see what you see and feel what you feel, this can lead to a sense of isolation and a general feeling of not belonging, of otherness.
In Japanese pottery, there’s an artful form of repair called kintsugi. When a piece of ceramic pottery breaks, rather than trying to restore it to its original condition, the artisan accentuates the fault by using gold to fill the crack. This beautifully draws attention to where the work was broken, creating a golden vein. Instead of the flaw diminishing the work, it becomes a focal point, an area of both physical and aesthetic strength. The scar also tells the story of the piece, chronicling its past experience.