Henri Cartier-Bresson Quotes

Photography has never been a problem for me, [what is important] is looking, the way of looking, of questioning with your eyes: I don’t think; I am impulsive, it is /looking/ that’s important, not photography. Now, since I have started drawing, I’ve merely switched tools, but it is still looking that’s important. To look the right way, one should learn to become a deaf-mute.

I am a visual man. I watch, watch, watch. I understand things through my eyes.

This book [Zen in the Art of Archery], by Herrigel, which I discovered a few years ago, seems to me fundamental to our profession as photographers. Matisse wrote similarly about drawing: set a discipline, make rigor a rule, forget oneself completely. And in photography the attitude must be the same: detach oneself, do not try to prove anything at all. My sense of freedom is the same: a frame that allows any variation. This is the basis of Zen Buddhism, the evidence: that you go in with great force and then you succeed in forgetting yourself.

For me, the great myth is the Greek myth of Antaeus, who had to touch Earth to regain his strength. I know I must always keep in contact with the concrete, concrete reality, the small incident and the small, specific truth, which might have wide reverberations.

We had a certain idea of our work, a respect for others, and above all, [we were determined] not to be paparazzi. For the photographer, curiosity is essential, the terrible counterpart is indiscretion, which is a lack of restraint.