Henri Cartier-Bresson Quotes

French photographer (1908–2004)

Henri Cartier-Bresson (22 August 1908 – 3 August 2004) was a French humanist photographer considered a master of candid photography, and an early user of 35 mm film. He pioneered the genre of street photography, and viewed photography as capturing a decisive moment. He was one of the founding members of Magnum Photos in 1947.

From: Wikiquote (CC BY-SA 4.0)

Pen Names: Bresson, Henri Cartier • Bresson, Henri Cartier- • Cartier Bresson, Henri

Alternative Names: Henri Cartier Bresson • Henry Cartier-Bresson • Bresson

From Wikidata (CC0)

Nobody at Magnum decides for the other what he should do and everyone is free to tell someone else: “Well, what about this story? I don’t like it for this and that reason — because of this picture.” It is extremely fruitful to have somebody to talk to as an equal. This give and take is a most profitable thing because we keep learning from each other. I keep learning from the younger members just as I learned from Bob [Robert] Capa and Chim [David Seymour] how to make picture stories. Cornell Capa, for instance, has a very keen journalistic sense; and as for the other photographer, each makes his own contribution. Everybody in Magnum has full freedom; there’s no doctrine, there is no school, but there is something that unites all of us very strongly — I can’t define it; it may be a certain feeling of freedom and a respect for reality.

I believe creative work needs communication. So it’s extremely encouraging to be with a group of people who form a community and to know that you’re not isolated, although as individuals we must always work in an inner silence.

For me, the great myth is the Greek myth of Antaeus, who had to touch Earth to regain his strength. I know I must always keep in contact with the concrete, concrete reality, the small incident and the small, specific truth, which might have wide reverberations.

I am a visual man. I watch, watch, watch. I understand things through my eyes.

The picture-story involves a joint operation of the brain, the eye and the heart. The objective of this joint operation is to depict the content of some event which is in the process of unfolding, and to communicate impressions. Sometimes a single event can be so rich in itself and its facets that it is necessary to move all around it in your search for the solution to the problems it poses — for the world is movement, and you cannot be stationary in your attitude toward something that is moving. Sometimes you light upon the picture in seconds; it might also require hours or days. But there is no standard plan, no pattern from which to work.