War, as Rousseau pointed out long before Tolstoy took up the theme, only makes manifest events already determined by moral causes (Emile,Bk. IV). For this reason our main energies must be directed against the moral causes of war. Those moral causes lie within ourselves — and pacifists should not suppose for a moment that they are pure in heart in this respect.

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The aesthetic canons of Puritanism or Iconoclasm have little relevance to the facts of art, in so far as these facts are an expression of the diversity of human creatures. Like Fascism today, those religious movements were attempts to dragoon art to control it from a centre and to impose uniformity on it. I personally take the view, which is heterodox to most people, that the more consciously moral or political values are imposed on art, the more art suffers.

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To stop the war, besides being a futile gesture, would leave the crisis unresolved. It would postpone the necessity of a solution. Therefore, in a spirit of fatalism (which my opponents are welcome to call a spirit of sadism) I say: Let the war go on. It is the shortest and therefore the best way to replace the capitalist system by a democratic system, and which will at the same time rescind those partial and tyrannical solutions of the crisis represented by the Soviet Union no less than by Germany and Italy.

The politics of the unpolitical—these are the politics of those who desire to be pure in heart: the politics of men without personal ambition; of those who have not desires wealth or an unequal share of worldly possessions; of those who have always striven, whatever their race or condition, for human values and not for national or sectional interests. For our Western world, Christ is the supreme example of this unselfish devotion to the good of humanity, and the Sermon on the Mount is the source of all the politics of the unpolitical.