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The aesthetic canons of Puritanism or Iconoclasm have little relevance to the facts of art, in so far as these facts are an expression of the diversity of human creatures. Like Fascism today, those religious movements were attempts to dragoon art to control it from a centre and to impose uniformity on it. I personally take the view, which is heterodox to most people, that the more consciously moral or political values are imposed on art, the more art suffers.

To stop the war, besides being a futile gesture, would leave the crisis unresolved. It would postpone the necessity of a solution. Therefore, in a spirit of fatalism (which my opponents are welcome to call a spirit of sadism) I say: Let the war go on. It is the shortest and therefore the best way to replace the capitalist system by a democratic system, and which will at the same time rescind those partial and tyrannical solutions of the crisis represented by the Soviet Union no less than by Germany and Italy.

Kierkegaard is a new world of thought, a rare mental atmosphere in which we live dangerously, as many people have already discovered at the cost of their complacency. .... To begin reading Kierkegaard is to embark on a long journey, a journey which will be difficult and dangerous, but with such a reward at the end that all the incidental pain will be immediately forgotten. Kierkegaard’s life was in every sense that of a saint. He is perhaps the most real saint of modern times. p. 251-252, 255