It would be hard to find a stranger instance of the irony of fate in all the history of the world. After being the idol of musical Europe when a mere child, Mozart had fulfilled in maturity all the promise of his early years. But as his powers rose to nobler heights his worldly prosperity seemed to decrease. As years went on poverty pressed harder and harder on him.

Art seems to differ from other manifestations of human energy in welcolming so frankly the evidences of personality. Culture and progress alike deprecate aggressive individual prominence. The cherished ideal of the religious-minded is the effacement of self. The philosophical ideal is the entire and perfect accomodation of impulses and actions to the general well-being. But art not only welcomes the evidence of personal initiative; it demands as one of its first necessities copious and consistent proofs of individuality.

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