American cartoonist, author, journalist, playwright (1894–1961)
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Editing should be, especially in the case of old writers, a counseling rather than a collaborating task. The tendency of the writer-editor to collaborate is natural, but he should say to himself, "How can I help this writer to say it better in his own style?" and avoid "How can I show him how I would write it, if it were my piece?"
I admire the person who can write it right off. Mencken once said that a person who thinks clearly can write well. But I don't think clearly — too many thoughts bump into one another. Trains of thought run on a track of the Central Nervous System — the New York Central Nervous System, to make it worse.
The sharp edges of old reticences are softened in the autobiographer by the passing of time - a man does not pull the pillow over his head when he wakes in the morning because he suddenly remembers some awful thing that happened to him fifteen or twenty years ago, but the confusions and the panics of last year and the year before are too close for contentment. Until a man can quit talking loudly to himself in order to shout down the memories of blunderings and gropings, he is in no shape for the painstaking examination of distress and the careful ordering of event so necessary to a calm and balanced exposition of what, exactly, was the matter.