I came of age for film, at a time when the sexism was pretty strong. And although I could get work as a Writer, I couldn’t get work as a Director at all. And I had the experience of watching young men who had made shorts as I had, prize winning shorts, as I had, moving on to directing films and I couldn’t do it. And, and my husband, Ray [Ray Silver], was… became angry, and he said, “You know, maybe you can do it, maybe you can’t, but everybody should have a chance to try for the brass ring.”

So many directors that I admire do things in two takes, like Lumet, and then there are directors like Arthur Penn, who did 40 takes. Whatever works for you, but I like to get it, and once I’ve got it move on. I don’t keep doing it to see if anything else will come. I haven’t ever had where I’ve had so much time or money where I would have had the time to do 40 takes. (as an answer to if she has a preferance to do a minimum number of takes)

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It's a human truth that romantic fantasies are very hard to let go of and while it would be very nice to say Izzy, observing the difference between the two men realize that immediately that Sam was the better choice. I mean maybe you know maybe you work more rationally than than Izzy I don't know. But I mean the thing is that that you don't always do what's good for you, you know you don't always do what's right for you and sometimes you have to grow past it or go through something in order to reject it. (discussing the lead character's decision making in the film Crossing Delancey)

My own experience with my films has been that the more I’m left alone, the better I do. It isn’t that I think I’m smarter than anyone, or anything like that. It’s just that whatever my instincts are, it’s better for me to be able to put those into play in my own work.