What I've learned in my life, it's a very interesting social study for me, to go back and forth between being the guy at home and being the guy on the road and being the guy in studio and being the guy in the interview. The environment around you has so much to do with your character, and when I'm home, my character really changes quite a bit. I become very domesticated, it becomes riding my bike, and the music thing — the music thing doesn't leave but it's kind of less put upon me by other people as a musician.
American musician (born 1977)
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"Welcome to the real world", she said to me
Condescendingly.
Take a seat,
Take your life
Plot it out in black and white.
Well I never lived the dreams of the prom kings
And the drama queens.
I'd like to think the best of me
Is still hiding
Up my sleeve.<p>They love to tell you:
Stay inside the lines,
But something's better
On the other side.
Did you know that you could be wrong
And swear you’re right?
Some people been known to do it
All their lives.
But you find yourself alone
Just like you found yourself before.
Like I found myself in pieces
On the hotel floor.
Hard times help me see.<p>I’m a good man with a good heart;
Had a tough time, got a rough start.
But I finally learned to let it go,
Now I’m right here, and I’m right now.
And I’m hoping, knowing somehow
That my shadow days are over.
My shadow days are over now.
Everybody enjoys arguing about the current state of music because it feels as if you are talking about something incredibly important, yet it requires little understanding of the subject matter at hand. It's like world politics meets the pink questions in Trivial Pursuit. Points are made but nothing gets accomplished.