I've learned things about myself through singing. I used to have a certain dislike of the audience, not as individual people, but as a giant body who was judging me. Of course, it wasn't really them judging me. It was me judging me. Once I got past that fear, it freed me up, not just when I was performing but in other parts of my life.
British actress, singer and author (born 1935)
Dame Julie Elizabeth Andrews, DBE, (born Julia Elizabeth Wells; 1 October 1935) is an English film and stage actress, singer, and author. She rose to prominence starring in musicals such as My Fair Lady and Camelot, both of which earned her Tony Award nominations. In 1957, she appeared on television in the title role of the musical Cinderella, which was seen by over 100 million viewers. She made her feature film debut in Mary Poppins (1964), for which she won the Academy Award for Best Actress. She received her second Academy Award nomination for The Sound of Music (1965), and won the Golden Globe Award for Best Actress in a Musical. In addition to an Academy Award, she has won a BAFTA, five Golden Globes, three Grammys, two Emmys, the Disney Legend honor and the Kennedy Center Honors.
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Every time I do anything, I have to ask myself: Is it a good role, and is it right to do it? There may be sex or nudity or violence in the script, and then you have to say: Is it gratuitous just out to shock people? Or is it there because it has to be? If role demands it, and it isn't gratuitous, I'll do it. It's my job, after all. I'm an actress. I know what I'm capable of — it's other people who have a problem with my image, not me. I hope I can do all sorts of things, not just one type who's all sweetness and light. Unfortunately, people forget it's a role and confuse it with you.
My first profession was singing, and I'm always guilty that I don't practice enough... I love to exercise, to write, to be Mrs. Edwards, to be with my kids, and there's just not enough time in the day to do all the things I want to do. I just do what seems to have to be done, but I'm never as ready as I think I should be. I try to deal with priorities, but it tears me apart. Unfortunately something always has to go by the wayside. Ultimately, I guess, it all balances out.
I certainly wouldn't compare the rewards of watching one's children grow and mature with that of money piling up at the box office. Both are pleasant, but to varying degrees. As the old saying goes, you can't take an audience home with you. You can't depend on the loyalty of fans, who, after all is said and done, are just faceless people one seldom sees. And few stars have their fans forever. But a child is forever. That bond and relationship is timeless and doesn't depend on your looks, age or popularity at the moment.
'I saw The Sound of Music again recently, and I loved it. Probably it's a more valuable film now than when it first came out, because some of the things it stood for have already disappeared. There's a kind of naive loveliness about it, and love goes by so fast … love and music and happiness and family, that's what it's all about. I believe in these things. It would be awful not to, wouldn't it?
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suddenly remembered that when I portrayed Eliza Doolittle in My Fair Lady on Broadway, I unconsciously toed-in, giving the flower girl a slightly pigeon-toed lack of grace in her clumsy boots, then I straightened my feet when she acquired confidence and poise as a “lady.” It made me smile to think I was doing the exact opposite for Mary Poppins.